Dreamscapes in Italian Cinema

Häftad, Engelska, 2019

Del i serien Fairleigh Dickinson University Press Series in Italian Studies

599 kr

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Beskrivning

Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.

Produktinformation

Utgivningsdatum:2019-08-27
Mått:153 x 219 x 15 mm
Vikt:318 g
Format:Häftad
Språk:Engelska
Serie:Fairleigh Dickinson University Press Series in Italian Studies
Antal sidor:220
Förlag:Associated University Presses
ISBN:9781611477832

Utforska kategorier

Referensverk och tvärvetenskap inom Samhälle och politik
Film inom Kultur

Mer om författaren

Francesco Pascuzziis lecturer of scientific and technical writing at Rutgers University.Bryan Cracchiolo is lecturer in Italian and coordinator of Italian studies at SUNY New Paltz.

Innehållsförteckning

AcknowledgementsIntroductionFrancesco Pascuzzi, Bryan Cracchiolo1. Dreamed Cinema, Cinematic Dreams: Dreamscape, Neurosis and Desire in Federico Fellini’s 8½Avishek Parui2. The Uncanny and Mannequins: The Dream-Like Qualities of Two Italian Gothic Films, Il mulino delle donne di pietra and Lisa e il diavoloFernando Pagnoni, Amy M. Davis3. Massimo Fagioli’s Influence and Psychoanalysis in Marco Bellocchio’s Il diavolo in corpoAlessandro De Stefanis4. The Visionary Realism of Marco Bellocchio’s Buongiorno, noteFrancesco Rabissi5. The Ironic Oneiric: Nanni Moretti and the Cinematic Challenges of the 1970sAxel Andersson 6. Life Is But a Dream: Reveries, Nightmares and Other Worlds in the Films of Nanni MorettiEleanor Andrews 7. Sublimation, Myth and the Work of Dreams: Radical Nostalgia and Melancholic Attachment in Pier Paolo Pasolini’s Edipo ReLinda Belau8. The Cinedream in Pasolini and CassavetesAnthony Cristiano9. Gradivae and Nymphs: Walking Women in the Dreamscapes of Italian CinemaMaurizia Natali10. Dreams, Nightmares, and Hallucinations in Francesca Comencini’s CinemaLetizia Bellocchio11. The Nightmarish in Dario Argento’s Mother Trilogy: Spatial Oddities and Family TiesSandra WatersList of ContributorsIndex

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