“Cox brilliantly chronicles the embrace of imagination by newspaper reporters and theatre makers. This engaging, beautifully written book reveals how their staging of the news inspired democratic participation while questioning the idea of journalistic objectivity.”—Harvey Young, author of Theatre and Race“Jordana Cox deftly traces the twinned histories of US theater and journalism in the 1930s, drawing on extensive archival material to detail how innovations in journalistic practice and imagination shaped many of the Federal Theatre Project’s most significant Living Newspaper productions. This is a timely and insightful book.”—Marlis Schweitzer, author of Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century“Journalism historians have paid little attention to the subject of Living Newspapers. In this carefully researched history, Cox uncovers how this New Deal program illuminated the limitations of journalism while offering an alternative and collaborative model for truth-telling—a model with lasting value.”—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines“Cox’s writing style is smooth and fluid, and she has mined archives that others have missed. A book on Living Newspapers that focuses on their journalistic status is way overdue.”—Laura Browder, author of Rousing the Nation: Radical Culture in Depression America

• PrefaceAcknowledgmentsA Note on TerminologyIntroductionTHEATER, NEWS, AND JOURNALISTIC IMAGINATIONChapter OneGETTING A FEEL FOR THE OFFICEReimagining the NewsroomChapter TwoTHE COURT OF PUBLIC OPINIONReimagining News PublicsChapter ThreeTHE LITTLE MAN AND THE LOUDSPEAKERReimagining News MediaChapter FourTHE KEEPER OF RECORDSReimagining RepresentationConclusionOUTSIDE AND AFTER THE NYLNReimagining Living NewspapersNotesIndex

“Cox brilliantly chronicles the embrace of imagination by newspaper reporters and theatre makers. This engaging, beautifully written book reveals how their staging of the news inspired democratic participation while questioning the idea of journalistic objectivity.”—Harvey Young, author of Theatre and Race“Jordana Cox deftly traces the twinned histories of US theater and journalism in the 1930s, drawing on extensive archival material to detail how innovations in journalistic practice and imagination shaped many of the Federal Theatre Project’s most significant Living Newspaper productions. This is a timely and insightful book.”—Marlis Schweitzer, author of Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century“Journalism historians have paid little attention to the subject of Living Newspapers. In this carefully researched history, Cox uncovers how this New Deal program illuminated the limitations of journalism while offering an alternative and collaborative model for truth-telling—a model with lasting value.”—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines“Cox’s writing style is smooth and fluid, and she has mined archives that others have missed. A book on Living Newspapers that focuses on their journalistic status is way overdue.”—Laura Browder, author of Rousing the Nation: Radical Culture in Depression America

• PrefaceAcknowledgmentsA Note on TerminologyIntroductionTHEATER, NEWS, AND JOURNALISTIC IMAGINATIONChapter OneGETTING A FEEL FOR THE OFFICEReimagining the NewsroomChapter TwoTHE COURT OF PUBLIC OPINIONReimagining News PublicsChapter ThreeTHE LITTLE MAN AND THE LOUDSPEAKERReimagining News MediaChapter FourTHE KEEPER OF RECORDSReimagining RepresentationConclusionOUTSIDE AND AFTER THE NYLNReimagining Living NewspapersNotesIndex

“Cox brilliantly chronicles the embrace of imagination by newspaper reporters and theatre makers. This engaging, beautifully written book reveals how their staging of the news inspired democratic participation while questioning the idea of journalistic objectivity.”—Harvey Young, author of Theatre and Race“Jordana Cox deftly traces the twinned histories of US theater and journalism in the 1930s, drawing on extensive archival material to detail how innovations in journalistic practice and imagination shaped many of the Federal Theatre Project’s most significant Living Newspaper productions. This is a timely and insightful book.”—Marlis Schweitzer, author of Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century“Journalism historians have paid little attention to the subject of Living Newspapers. In this carefully researched history, Cox uncovers how this New Deal program illuminated the limitations of journalism while offering an alternative and collaborative model for truth-telling—a model with lasting value.”—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines“Cox’s writing style is smooth and fluid, and she has mined archives that others have missed. A book on Living Newspapers that focuses on their journalistic status is way overdue.”—Laura Browder, author of Rousing the Nation: Radical Culture in Depression America

• PrefaceAcknowledgmentsA Note on TerminologyIntroductionTHEATER, NEWS, AND JOURNALISTIC IMAGINATIONChapter OneGETTING A FEEL FOR THE OFFICEReimagining the NewsroomChapter TwoTHE COURT OF PUBLIC OPINIONReimagining News PublicsChapter ThreeTHE LITTLE MAN AND THE LOUDSPEAKERReimagining News MediaChapter FourTHE KEEPER OF RECORDSReimagining RepresentationConclusionOUTSIDE AND AFTER THE NYLNReimagining Living NewspapersNotesIndex