Stravinsky and France

FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal, Canada CAROLINE RAE is Professor of Music at Cardiff University, UK. DANICK TROTTIER is Professor of Music at the Université du Québec à Montréal, Canada. KLARA MORICZ is the Henry S. Poler '59 Presidential Teaching Professor of Music and Department Chair of Music at Amherst College, MA. FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal, Canada STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada. CAROLINE RAE is Professor of Music at Cardiff University, UK. DANICK TROTTIER is Professor of Music at the Université du Québec à Montréal, Canada.

• List of IllustrationsAcknowledgements IntroductionFrançois de Médicis, Caroline Rae, and Danick Trottier PART 1: Longings for a Native Culture1 Stravinsky the ExtraterritorialJonathan Cross2 Stravinsky's Orthodox Church MusicDorothea Redepenning3 "You belong to the past!" Between Admiration and Rejection: Prokofiev's Ambivalent Stance on Stravinsky During Their Paris YearsNicolas Moron PART 2: Style and Musical Ideas 4 "Zoum! Zoum! Zoum! Patazoum!" The Burlesque in Stravinsky's RenardKatia-Sofia Hakim5 Glass Half Full or Half Empty: Stravinsky's "Proto-Jazz" Cocktails, 1918-1924François de Médicis6 Stravinsky and his Pianola Piano Roll RecordingsRex Lawson7 Cocteau, Stravinsky, and Oedipus RexSteven Huebner8 From France to Los Angeles: Stravinsky and the Neoclassical IdiomPieter van den Toorn PART 3: Discourses and Reception9 In Search of Literary Stravinskyism: Critical Meditations and Poetic Renewal in France, 1910-1939Isabelle Perreault10 Stravinskyism(s): Discourses on Stravinsky's Influence in the French Musical Press, 1910-1940Federico Lazzaro11 Stravinsky in Biographical Collections, 1931-1965: Media Issues and Canonization Strategies for the Non-Specialist PublicMarie Gaboriaud12 The Problem of Stravinsky's Legacy and Musique en jeu: Between Amnesia and AnamnesisDanick Trottier13 Boucourechliev and his "Ethical" Discourse on Stravinsky: From the Emancipation of the Music to that of the ListenerFrançois Balanche PART 4: Stravinsky and French Composers14 Stravinsky's Strategic Network of French Musical Friendships, 1910-1923François de Médicis, Alessandro Garino, and Natalia Avramova15 Forty Years of Coherent Contrast: Stravinsky as seen by KoechlinPhilippe Cathé and Michel Duchesneau16 Stravinsky, Boulez, and the Politics of the AviaryStephen Walsh17 Echoes of The Rite: Ohana, Jolivet, and the Style incantatoireCaroline Rae18 Generational Lines of Flight: Stravinsky and Subsequent Compositional Trends in FranceEdward CampbellAfterword: ErasuresKlára Móricz List of ContributorsIndex