Romain Chareyron is assistant professor of French at the University of Saskatchewan.

This book provides groundbreaking analyses of the complex representations of trans and gender non-conforming identities in the French media. While providing a multifaceted look into the persistent challenges experienced by trans people within the centralizing space of the French Republic, the various contributors also show how increasingly diverse media representations of trans lives have spurred new public debates about a wide range of socio-cultural and political issues such as gender, sexuality, youth, family, nationality, migration, citizenship, and class in contemporary France.

• Introduction. Trans Identities in the French MediaRomain ChareyronChapter 1. Trans Kids in France: Unpacking the Media FrenzyCharlie FabreChapter 2. Mobiles Desires: Paul B. Preciado’s Un Appartement sur Uranus and the Marginal Western SubjectLeah E. WilsonChapter 3. Multiple Bodies: The Digital and the Physical in Arthur Cahn’s Les Vacances du petit Renard (2018)Brian J. TrothChapter 4. Dubbing Transparent (2014-2019): A “Ballsy” Translation?Justine HuetChapter 5. Trans(ing) the Rural: Metronormativity and Melancholia in Sébastien Lifshitz’ Wild Side (2004)R. Cole CridlinChapter 6. Transfeminine Embodiment in the Films of Sébastien Lifshitz and Lukas DhontLaurel IberChapter 7. Circus Freaks and Pretty Monsters: Fighting and Reclaiming a Transphobic StigmaArthur SégardChapter 8. Peau d’homme: A Different Kind of Happy EndingAnnick Pellegrin

Romain Chareyron is assistant professor of French at the University of Saskatchewan.

This book provides groundbreaking analyses of the complex representations of trans and gender non-conforming identities in the French media. While providing a multifaceted look into the persistent challenges experienced by trans people within the centralizing space of the French Republic, the various contributors also show how increasingly diverse media representations of trans lives have spurred new public debates about a wide range of socio-cultural and political issues such as gender, sexuality, youth, family, nationality, migration, citizenship, and class in contemporary France.

• Introduction. Trans Identities in the French MediaRomain ChareyronChapter 1. Trans Kids in France: Unpacking the Media FrenzyCharlie FabreChapter 2. Mobiles Desires: Paul B. Preciado’s Un Appartement sur Uranus and the Marginal Western SubjectLeah E. WilsonChapter 3. Multiple Bodies: The Digital and the Physical in Arthur Cahn’s Les Vacances du petit Renard (2018)Brian J. TrothChapter 4. Dubbing Transparent (2014-2019): A “Ballsy” Translation?Justine HuetChapter 5. Trans(ing) the Rural: Metronormativity and Melancholia in Sébastien Lifshitz’ Wild Side (2004)R. Cole CridlinChapter 6. Transfeminine Embodiment in the Films of Sébastien Lifshitz and Lukas DhontLaurel IberChapter 7. Circus Freaks and Pretty Monsters: Fighting and Reclaiming a Transphobic StigmaArthur SégardChapter 8. Peau d’homme: A Different Kind of Happy EndingAnnick Pellegrin

Romain Chareyron is assistant professor of French at the University of Saskatchewan.

This book provides groundbreaking analyses of the complex representations of trans and gender non-conforming identities in the French media. While providing a multifaceted look into the persistent challenges experienced by trans people within the centralizing space of the French Republic, the various contributors also show how increasingly diverse media representations of trans lives have spurred new public debates about a wide range of socio-cultural and political issues such as gender, sexuality, youth, family, nationality, migration, citizenship, and class in contemporary France.

• Introduction. Trans Identities in the French MediaRomain ChareyronChapter 1. Trans Kids in France: Unpacking the Media FrenzyCharlie FabreChapter 2. Mobiles Desires: Paul B. Preciado’s Un Appartement sur Uranus and the Marginal Western SubjectLeah E. WilsonChapter 3. Multiple Bodies: The Digital and the Physical in Arthur Cahn’s Les Vacances du petit Renard (2018)Brian J. TrothChapter 4. Dubbing Transparent (2014-2019): A “Ballsy” Translation?Justine HuetChapter 5. Trans(ing) the Rural: Metronormativity and Melancholia in Sébastien Lifshitz’ Wild Side (2004)R. Cole CridlinChapter 6. Transfeminine Embodiment in the Films of Sébastien Lifshitz and Lukas DhontLaurel IberChapter 7. Circus Freaks and Pretty Monsters: Fighting and Reclaiming a Transphobic StigmaArthur SégardChapter 8. Peau d’homme: A Different Kind of Happy EndingAnnick Pellegrin