Global Shakespeare and Visual Art

Mario Murgia is an award-winning poet and literary translator, and full professor of English, Translation, and Comparative Literature at the National Autonomous University of Mexico. Islam Issa is an award-winning author, broadcaster, and curator, and Professor of Literature and History at Birmingham City University, UK. He is an award-winning author, broadcaster, and curator. Issa is the UK’s first Professor of Public Humanities.

• List of AbbreviationsList of FiguresList of ContributorsForeword by Paul Edmondson (Shakespeare Birthplace Trust, UK)AcknowledgementsPart I: Panoramas1. “To view his countless glory”: Around the World with Visual ShakespeareIslam Issa (Birmingham City University, UK) and Mario Murgia (National Autonomous University of Mexico, Mexico)2. Teaching Shakespeare with Visual ArtMarissa Greenberg (University of New Mexico, USA)Part II: Visualizations3. Shakespeare’s Lucrece and “a piece of skilful painting”David Kastan (Yale University, USA)4. Delacroix and HamletDavid Roberts (Birmingham City University, UK)5. Doré’s Collaborative and Unfinished Illustrations of ShakespeareAngelica Duran (Purdue University, USA)6. “O well-painted passion!”: Othello on Canvas and in Nineteenth-Century MexicoMario Murgia(National Autonomous University of Mexico, Mexico)7. “The Miracle of Nothing.”: Kokoschka’s King LearWendy Furman-Adams (Whittier College, USA)8. Visual Representations of The Tempest in ArgentinaMaría Inés Castagnino and Lucas Margarit (University of Buenos Aires, Argentina)Part III: Transformations9. Shakespeare in Stained Glass Across the GlobeBeverley Sherry (University of Sydney, Australia)10. Making “Zulu-ness” Visible: Sibiya and the Umabatha WoodcutsLaurence Wright (North-West University, South Africa)11. “What wood is this before us?”: Shakespeare in Siberian PineHelen Hopkins (Birmingham City University, UK)12. Performing Shakespeare in the UAEPaul Innes (United Arab Emirates University, UAE)13. Caricatures and Turkish ShakespearesMurat Ögütcü (Adiyaman University, Turkey)Part IV: Reimaginings14. New Woman, New Emotions: Shakespeare in Nineteenth-Century BengalShormishtha Panja (University of Delhi, India)15. Egyptian Shakespeareana in Twentieth-Century Film: Reimagining Female Agency and TragedyNoha Mohamad Mohamad Ibraheem (Cairo University, Egypt)16. The Diasporic Power of Sakuishi’s MangaShinji Yamamoto (Aoyama Gakuin University, Japan)17. Urban Shakespeare: Civic and Public Art in England’s Second CityIslam Issa (Birmingham City University, UK)18. Imagining/Imaging Future ShakespeareKevin Wetmore (Loyola Marymount University, USA)Afterword by David Currell (Australian Catholic University, Australia)