Mario Murgia – författare

From paintings to sculptures and manga to street art, Global Shakespeare and Visual Art reveals how Shakespeare’s works and legacy have inspired artists around the world for centuries.Global Shakespeare and Visual Art explores how William Shakespeare’s works and legacy have inspired artists around the world for centuries. This volume is a series of original studies on the aesthetic presence and interpretation of Shakespeare in such media as book illustrations, digital art, film, graphic novels, manga, portraiture, staged performance, sculpture, and stained glass. Focusing on the global reach of Shakespeare opens up the varied influences of his works on cultures past and present, especially in the context of globalization. By focusing on the contemporary interplay between early modern literature and visual culture, this book offers an inclusive view of intermedial translation and adaptation, coupled with critical explorations of Shakespearean global presence. The varied chapters consider Shakespeare’s plays and poetry in the context of their artistic afterlives, revealing an unparalleled cultural reach and fostering a broader appreciation of Shakespearean impact on global artistic traditions

Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors. Part I: Panoramas, provides overviews and key contexts; Part II: Cameos offers different perspectives of the varied afterlives of the most widely-circulating illustrations of Paradise Lost, those by Gustave Doré; Part III: Textual Close-ups focuses on a rich variety of book illustrations, from centuries-old elite engravings to a twenty-first century graphic novel; and Part IV: A Prospect beyond Books, explores visual media outside of books that manifest powerful connections, direct and indirect, with Milton’s works and legend.