Islam Issa – författare

Milton Across Borders and Media is an unprecedented collaboration that demonstrates the breadth of John Milton's international reception across diverse media from the seventeenth century through today. This volume presents new essays on the adaptation of Milton's works into various languages and media around the world. Part I poses questions about how we can effectively situate and engage with Milton's works within the multimedia networks of the present day. Part II 'Interlingual Borders' keys in on the cultural, technological, and temporal elements of interlingual translation that make them intersemiotic. Part III 'Verbal Borders' features media that draw out the themes and characters of Milton's writing through verbal expression. Part IV focuses on the transference of Milton's verbal artwork into visual artwork, from book illustration to stained glass. Part V 'Auditory Media' extends the focus on multimedia, with aural media as the chief feature.

Milton in Translation represents an unprecedented collaboration that demonstrates the breadth of John Milton's international reception, from the seventeenth century through today. This book collects in one volume new essays written on the translation of Milton's works written by an international roster of experts: stalwart and career-long Miltonists, scholars primarily of translation studies, and practitioners who have translated Milton's works. Chapters are grouped geographically but also, by and large, chronologically, given that Milton's works radiated further abroad over time. The chapters on the twenty-three individual languages showcased in this volume are framed by 'Part I: Approaches', consisting of an introduction and two major essays on the global reach and the aural nature of Milton's poetry, and by an epilogue. 'Part II: Influential Translations' features the most influential languages in translations of Milton's works (English, Latin, German, French). Then, accounts of Milton's afterlives in specific languages are provided in 'Part III. Western European and Latin American Translations' (Dutch, Estonian, Finnish, Icelandic, Italian, Portuguese, European Spanish, Latin American Spanish), 'Part IV: Central and Eastern European Translations' (Bulgarian, Czech, Hungarian, Polish, Serbian/Montenegrin, Serbo-Croatian languages), 'Part V: Middle Eastern Translations' (Arabic, Hebrew, Persian), and 'Part VI: East Asian Translations' (Chinese, Japanese, Korean). The chapters in Parts II through VI include historical and critical context, a brief history of translation in the language, and a case study on any single work or group of Milton's works in translation.

Milton in Translation represents an unprecedented collaboration that demonstrates the breadth of John Milton's international reception, from the seventeenth century through today. This book collects in one volume new essays written on the translation of Milton's works written by an international roster of experts: stalwart and career-long Miltonists, scholars primarily of translation studies, and practitioners who have translated Milton's works. Chapters are grouped geographically but also, by and large, chronologically, given that Milton's works radiated further abroad over time. The chapters on the twenty-three individual languages showcased in this volume are framed by 'Part I: Approaches', consisting of an introduction and two major essays on the global reach and the aural nature of Milton's poetry, and by an epilogue. 'Part II: Influential Translations' features the most influential languages in translations of Milton's works (English, Latin, German, French). Then, accounts of Milton's afterlives in specific languages are provided in 'Part III. Western European and Latin American Translations' (Dutch, Estonian, Finnish, Icelandic, Italian, Portuguese, European Spanish, Latin American Spanish), 'Part IV: Central and Eastern European Translations' (Bulgarian, Czech, Hungarian, Polish, Serbian/Montenegrin, Serbo-Croatian languages), 'Part V: Middle Eastern Translations' (Arabic, Hebrew, Persian), and 'Part VI: East Asian Translations' (Chinese, Japanese, Korean). The chapters in Parts II through VI include historical and critical context, a brief history of translation in the language, and a case study on any single work or group of Milton's works in translation.

The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.

Shakespeare and Terrorism delves into how extremists have responded to Shakespeare – whether they’ve attacked him or been inspired by him – and investigates what the playwright and his works can tell us about the nature, psychology, and consequences of terror.Literary critic and historian Islam Issa takes readers on a journey from Shakespeare’s Stratford-upon-Avon and London to a variety of locations: from Western Europe to the Balkans to the US, from North Africa to the Persian Gulf to Central Asia, and from the theatre to the digital world. Considering incidents from Shakespeare’s time through today, including the Gunpowder Plot and 9/ 11, as well as pivotal figures from Hamlet and Macbeth to Hitler and Bin Laden, this book brings to light new ideas about key characters, events, and themes both in Shakespeare’s plays and the world around them.A thrilling and accessible read, this ground-breaking book will enlighten and engage students, researchers, and general readers interested in Shakespeare, social sciences, history, and the complex relationships between life and art.

Shakespeare and Terrorism delves into how extremists have responded to Shakespeare – whether they’ve attacked him or been inspired by him – and investigates what the playwright and his works can tell us about the nature, psychology, and consequences of terror.Literary critic and historian Islam Issa takes readers on a journey from Shakespeare’s Stratford-upon-Avon and London to a variety of locations: from Western Europe to the Balkans to the US, from North Africa to the Persian Gulf to Central Asia, and from the theatre to the digital world. Considering incidents from Shakespeare’s time through today, including the Gunpowder Plot and 9/ 11, as well as pivotal figures from Hamlet and Macbeth to Hitler and Bin Laden, this book brings to light new ideas about key characters, events, and themes both in Shakespeare’s plays and the world around them.A thrilling and accessible read, this ground-breaking book will enlighten and engage students, researchers, and general readers interested in Shakespeare, social sciences, history, and the complex relationships between life and art.

The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.

A SUNDAY TIMES AND TLS BOOK OF THE YEAR'Fascinating and important'Natalie Haynes, author of Stone Blind'Monumental and vividly imagined'Daily Telegraph'Wonderfully entertaining'Sunday Times'Lively and engrossing 'Literary ReviewOn a sparsely populated Egyptian coastline, Alexander the Great sketched his vision of a metropolis into the sand. Situated on the cusp of three continents, it became the city where Greeks and Egyptians, Romans and Jews created a global knowledge capital that changed the face of philosophy, religion and science forever.In this sweeping biography of the great city, Islam Issa takes us on a fascinating journey across millennia. Rich in big ideas, brutal tragedies and distinctive characters, Alexandria tells the gripping story of a city that has shaped our modern world.'A multifaceted history of an enthralling city'Lloyd Llewellyn-Jones, author of Persians: The Age of the Great Kings'A cornucopia of fascinating details, every page revealing a new delight'Paul Strathern, author of The Medici

Global Shakespeare and Visual Art explores how William Shakespeare’s works and legacy have inspired artists around the world for centuries. This volume is a series of original studies on the aesthetic presence and interpretation of Shakespeare in such media as book illustrations, digital art, film, graphic novels, manga, portraiture, staged performance, sculpture, and stained glass. Focusing on the global reach of Shakespeare opens up the varied influences of his works on cultures past and present, especially in the context of globalization. By focusing on the contemporary interplay between early modern literature and visual culture, this book offers an inclusive view of intermedial translation and adaptation, coupled with critical explorations of Shakespearean global presence. The varied chapters consider Shakespeare’s plays and poetry in the context of their artistic afterlives, revealing an unparalleled cultural reach and fostering a broader appreciation of Shakespearean impact on global artistic traditions

Digital Milton is the first volume to investigate John Milton in terms of our digital present. Some chapters use innovative techniques, such as processing metadata from vast archives of early modern prose, coding Milton’s geographical references on maps, and visualizing debt networks from literature and from life.