Opera Wars

Caitlin Vincent is an award-winning librettist, trained vocalist, opera company director, and arts commentator. Her librettos have won all three of America’s top opera prizes and her vocal work is featured on the Grammy Award–nominated album 40@40. Vincent was the artistic director of The Figaro Project from 2009 to 2014. She writes frequently on the arts for such outlets as The Conversation and Limelight, and her perspective on opera has been featured in The New York Times. She holds a PhD from Deakin University (Australia), an MM from Peabody Conservatory at Johns Hopkins, and a BA from Harvard. She was born in the US but currently makes her home in Melbourne, Australia.

“Vincent gives us the insider’s backstage view from the wings, the audition session, the rehearsal room…Lively and irreverent, Vincent skips across artistic war zones like one of opera’s clever, cheeky servant girls…Opera Wars excels in its frank glimpses of backstage life.”—Financial Times “Opera Wars is an unusual, if charming, book, written in a manner that is informal and engaging while addressing some matters that are beyond the concerns of a typical ticket buyer. It is suitable for young operaphiles-in-training and budding sopranos and directors alike.”—Wall Street Journal “Punchy...Where Opera Wars shines brightest, and where I am in most agreement with Caitlin Vincent, is in her passionate defense of new operas...Opera has a real opportunity now to push back as the true antidote to AI: no microphones, no amplifiers—just the human voice doing superhuman things. If only the business could figure out how to properly market that message to the smartphone-addicted culture. That’s certainly a war worth fighting.”—New York Post “Pleasantly gossipy… Ultimately, what’s most impressive about Opera Wars is how much nuance and fresh perspective Vincent brings to long-running debates about an art form that can seem endlessly at war with itself. You’ll finish it more thoughtful about opera, but potentially more enthusiastic about it too.”—Limelight (AUS) “A lively debut [with] sharp insights…Drawing on personal experience and a wealth of interviews, Vincent paints a clear-eyed picture of an art form constrained by massive costs, shrinking audiences, and bygone traditions, while also giving due to its beauty and resilience.”—Publishers Weekly “A behind-the-scenes look at the state of opera today, by an industry insider...[Vincent is] well equipped to explain the nuts and bolts of an art form frequently seen as mysterious by outsiders… great for opera newbies.”—Kirkus Reviews “Sometimes irreverent, often illuminating…This will appeal to diehard opera fans, those who have ventured into an opera house for the first time, and those who are just curious about this distinctive world. A thoughtful consideration of an art form with a rich history and, it is hoped, a flourishing future.”—Booklist “Having worn the hats of operatic vocalist, company director, librettist, and commentator throughout her career, Vincent is excellently suited to pen this overview of opera and its many behind-the-scenes conflicts….[Her] experience and accessible style make this an excellent choice for those who are unfamiliar with opera [and] are eager to learn more.”—Library Journal “A delightful introduction to the workings of one of the world’s most exciting and polarizing art forms. From opera’s birth pangs more than four centuries ago to the economic, logistical, and cultural challenges it faces today, Opera Wars is a colorful, witty look behind the velvet curtain.”—Renée Fleming, Metropolitan Opera star, Recipient of the National Medal of Arts, Five-Time Grammy Winner “What a great book! Vincent shows us that opera, like all music, is by, for, and about we the people. She changed my belief that opera lives in a cloistered world; it’s been out there with all the other music genres just waiting to be seen and heard. Opera Wars reveals that opera is made by artists reaching for that most common prize: connecting with others. After I turned the last page, I bought my first opera ticket.”—Susan Rogers, Professor, Berklee College of Music, multi-platinum record producer, and coauthor of This Is What It Sounds Like "Caitlin Vincent’s approach, fizzy with candid appraisals and delicious insider details, is the opposite of academic. Sometimes irreverent, frequently poignant, and always smart and entertaining, Opera Wars will appeal to anyone who loves opera, disdains it, or yearns to know the intriguing stories behind those soaring notes.”—Mark Campbell, librettist for the Pulitzer Prize-winning opera “Silent Night”  "Think opera is elitist, stuffy and boring? Then delve into Caitlin Vincent's breezy, informative look at the Queen of the Performing Arts. A professional singer, Vincent scrapes away the pretentiousness that too often hangs about the opera house to reveal the toil, the talent, the egos, the risks and, at times, the insanity, that make the opera world so dramatic.”—Michael Riedel, New York Times bestselling author of Razzle Dazzle: The Battle for Broadway  “Engaging…An honest look at what's right and what's wrong in the world of opera by tracing it back to its roots. The research is phenomenal.”—Francesca Zambello, Artistic Director of Washington National Opera  “A buoyant, accessible, and entertaining guide…Aimed at both operatic novices and veterans, Opera Wars is a portrait of opera in the 21st century that is both brutally realistic and ultimately hopeful.”—Joshua Kosman, former classical music critic, San Francisco Chronicle  “Poignant, honest, funny, and brutal. Vincent rips the curtain from opera’s pretensions and shows outsiders what every insider knows: that you cannot love opera without also hating it; that the art form is both magnetic and merciless; and that the business itself is a bureaucratic mess of staggering, operatic proportions.”—Gabriel Wyner, former opera singer and author of the bestselling Fluent Forever