Dr Igea Troiani is an academic, architect and independent filmmaker teaching at Xi'an Jiaotong-Liverpool University. She is co-editor of The Politics of Making (2007) and is founder and editor-in-chief of the international award-winning journal Architecture and Culture, Routledge.Hugh Campbell is professor of architecture at University College Dublin where he is head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.

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• Introduction Part I: Architecture Filmmaking Technique Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen LovettThe Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra StaraMysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred TrunigerParis Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas SmithTracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh CampbellInside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthyPart II: Architecture Filmmakers Section I Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian CheeFilming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan JohnsonLight Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor SuessSection II Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina GangosInvented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras ArkomanisErrant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie CloseSection III Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik JarmanHis House, Our House and Her House: A Filmic Place for Women – Igea TroianiStylist as Auteur: Hierarchy, Reputation and Creative Control – Philip ClarkePart III: Architecture Filmmaking Pedagogy Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc BoumeesterFrom Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall TealDeeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas ForgetResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads FarsøCinematic Collage as Architectural Design Research – Igea Troiani and Tonia CarlessCinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen ThomasA Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand

Dr Igea Troiani is an academic, architect and independent filmmaker teaching at Xi'an Jiaotong-Liverpool University. She is co-editor of The Politics of Making (2007) and is founder and editor-in-chief of the international award-winning journal Architecture and Culture, Routledge.Hugh Campbell is professor of architecture at University College Dublin where he is head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.

Select Guide Rating

• Introduction Part I: Architecture Filmmaking Technique Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen LovettThe Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra StaraMysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred TrunigerParis Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas SmithTracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh CampbellInside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthyPart II: Architecture Filmmakers Section I Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian CheeFilming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan JohnsonLight Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor SuessSection II Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina GangosInvented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras ArkomanisErrant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie CloseSection III Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik JarmanHis House, Our House and Her House: A Filmic Place for Women – Igea TroianiStylist as Auteur: Hierarchy, Reputation and Creative Control – Philip ClarkePart III: Architecture Filmmaking Pedagogy Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc BoumeesterFrom Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall TealDeeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas ForgetResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads FarsøCinematic Collage as Architectural Design Research – Igea Troiani and Tonia CarlessCinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen ThomasA Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand

Dr Igea Troiani is an academic, architect and independent filmmaker teaching at Xi'an Jiaotong-Liverpool University. She is co-editor of The Politics of Making (2007) and is founder and editor-in-chief of the international award-winning journal Architecture and Culture, Routledge.Hugh Campbell is professor of architecture at University College Dublin where he is head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.

Select Guide Rating

• Introduction Part I: Architecture Filmmaking Technique Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen LovettThe Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra StaraMysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred TrunigerParis Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas SmithTracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh CampbellInside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthyPart II: Architecture Filmmakers Section I Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian CheeFilming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan JohnsonLight Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor SuessSection II Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina GangosInvented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras ArkomanisErrant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie CloseSection III Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik JarmanHis House, Our House and Her House: A Filmic Place for Women – Igea TroianiStylist as Auteur: Hierarchy, Reputation and Creative Control – Philip ClarkePart III: Architecture Filmmaking Pedagogy Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc BoumeesterFrom Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall TealDeeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas ForgetResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads FarsøCinematic Collage as Architectural Design Research – Igea Troiani and Tonia CarlessCinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen ThomasA Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand