KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019). KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019).

Fascinating.

• IntroductionMusic and the Myth of Apollo's Grove - John MacInnisThe Consolation of Philosophy and the 'Gentle' Remedy of Music - Férdia J Stone-DavisAnd in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. HamiltonThe Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason StoesselFoolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim ShephardMarsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien PrinsOrigin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine ButlerHow to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie ApgarIn Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica IlicOphelia's Mad Songs and Performing Story in Early Modern England - Samantha BasslerDangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie BankFeeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks WinklerTranslating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) - Erica LevensonBibliography

KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019). KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019).

Fascinating.

• IntroductionMusic and the Myth of Apollo's Grove - John MacInnisThe Consolation of Philosophy and the 'Gentle' Remedy of Music - Férdia J Stone-DavisAnd in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. HamiltonThe Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason StoesselFoolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim ShephardMarsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien PrinsOrigin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine ButlerHow to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie ApgarIn Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica IlicOphelia's Mad Songs and Performing Story in Early Modern England - Samantha BasslerDangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie BankFeeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks WinklerTranslating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) - Erica LevensonBibliography

KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019). KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019).

Fascinating.

• IntroductionMusic and the Myth of Apollo's Grove - John MacInnisThe Consolation of Philosophy and the 'Gentle' Remedy of Music - Férdia J Stone-DavisAnd in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. HamiltonThe Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason StoesselFoolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim ShephardMarsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien PrinsOrigin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine ButlerHow to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie ApgarIn Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica IlicOphelia's Mad Songs and Performing Story in Early Modern England - Samantha BasslerDangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie BankFeeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks WinklerTranslating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) - Erica LevensonBibliography