Concentrationary Memories

Griselda Pollock is Professor of Social and Critical Histories of Art and, since 2001, Director, Centre CATH (Cultural Analysis, Theory & History) at the University of Leeds, UK. Known for her critical interventions in feminist, social, Jewish and postcolonial studies in art's histories, her work ranges from nineteenth and twentieth century fields to that of contemporary art and cinema, museum studies and cultural theory. Her publications include Old Mistresses, Vision and Difference, Avant-Garde Gambits, Generations and Geographies, and Differencing the Canon.

• Concentrationary Memories Series PrefaceGriselda Pollock & Max SilvermanTable of ContentsList of IllustrationsAcknowledgements IntroductionThe Politics of Memory: From Concentrationary Memory to Concentrationary Memories Griselda Pollock & Max Silverman: Part 1: Theorising the Political Space and BeyondChapter 1 The Memory of Politics: Hannah Arendt, Carl Schmitt and the Possibility of Encounter John Wolfe AckermanPart 2: Mediations of MemoryChapter 2 Migration and Motif: the (Parapractic) Memories of an ImageThomas ElsaesserChapter 3 The Two Stages of the Eichmann TrialSylvie Lindeperg & Annette WieviorkaChapter 4 Brushing the Film Against the Grain: Locating Jean Cayrol's Lazarean Figure in Alain Resnais's Muriel ou le temps d'un retourMatthew JohnPart 3: Camp VisionsChapter 5 Symbol Re-formation: Concentrationary Memory in Charlotte Delbo's Auschwitz and AfterNicholas ChareChapter 6 A New Visual Structure for the Unthinkable: The Surrealist Aesthetic and the Concentrationary Sublime in Lee Miller's Photographs of Buchenwald and DachauIsabelle de le CourtChapter 7 Muselmann: a distilled image of the Lager?Glenn SujoChapter 8Nameless before the Concentrationary Void: Charlotte Salomon's Leben? oder Theater? 1941–42 after Gurs Griselda PollockPart 4: Beyond the LimitsChapter 9 Animated Memory: Ari Folman's Waltz with Bashir Claire LaunchburyChapter 10 Isn't this where…? Projections on Pink Floyd The Wall: Tracing the Concentrationary Image Benjamin Hannavy CousenChapter 11 Memory Work in Argentina 1976-2006Laura Malosetti CostaNotes on ContributorsBibliographyIndex