People Are Not an Image

Vernacular Video After the Arab Spring

Häftad, Engelska, 2020

288 kr

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Beskrivning

The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media, but in short videos produced by the participants themselves and circulated anonymously on the internet.In The People Are Not An Image, Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be located without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium.

Produktinformation

Utgivningsdatum:2020-09-29
Mått:152 x 231 x 23 mm
Vikt:340 g
Format:Häftad
Språk:Engelska
Antal sidor:304
Förlag:Verso Books
ISBN:9781788733168

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Mer om författaren

Peter Snowdon is a filmmaker and researcher. His feature-length film The Uprising, based entirely on YouTube videos from the Arab revolutions, was awarded the Opus Bonum Award for best world documentary at the Jihlava International Documentary Film Festival and has screened at more than 30 festivals around the world. From 1997 to 2000 he lived in Cairo, where he was on the staff of Al-Ahram Weekly, and his writing on Arab politics and film has appeared in Open Democracy and Le Monde diplomatique. Peter has lived and worked in Egypt, Palestine, and France, and is currently based in Belgium, where he teaches filmmaking in the visual anthropology programme at Leiden University.

Recensioner i media

Throughout the book, Snowdon practices an ethics of close reading that rejects critical habits of regarding images with suspicion. The People Are Not an Image charts hopeful trajectories for several areas of inquiry, from the politics of protest media and self-representation to networked distribution, operational images, and the digital remaking of subjectivity. Yet Snowdon's ultimate project is more ambitious-to reshape his readers' political imaginaries.