Sonic Signatures

Derek Pardue holds a Ph.D in cultural anthropology and is an associate professor in global studies at Aarhus University, Denmark. He has conducted fieldwork and archival research in Brazil, Portugal, Denmark and Cape Verde.Ailbhe Kenny is a senior lecturer in music education at Mary Immaculate College, University of Limerick. Her research is widely published internationally; she is the author of Communities of Musical Practice (Routledge, 2016) and co-editor of Musician-Teacher Collaborations: Altering the Chord (Routledge, 2018). Katie Young holds a Ph.D in music and is currently a postdoctoral research fellow at Brock University, Canada and editorial assistant for Ethnomusicology Forum journal. Katie has conducted research in Ghana, Ireland and Canada, and has published in a range of journals and edited volumes.

'Sonic Signatures is a compelling and multifaceted exploration of what urban soundscapes at night mean for migrants. Edited by Derek Pardue, Ailbhe Kenny, and Katie Young, the collection distinguishes itself from previous literature on cities and night time through its unique points of view and articulations as well as its innovative approaches and analyses to investigating the multisensorial aspects of darkness.Overall, Sonic Signatures offers invaluable insights on how music serves as a tool of cultural resilience, allowing migrants to maintain connections to their roots while adapting to new environments. The concept of the “sonic signature” emerges as a space where memories are encoded, and resistance is articulated, illustrating the deep connection between music and historical consciousness. The authors’ explorations of night-time as a time of creativity, solidarity, resistance, and cultural expression provides fresh perspectives on the significance of the nocturnal. This novel approach of engaging with the night as a cultural space uncovers the hidden narratives of marginalized communities, demonstrating how the night can be a canvas for social transformation and sonic expression. Furthermore, the unique transdisciplinary structure of the book enriches the exploration of music and migration among a diverse range of contexts. It argues that music is not just a form of entertainment but a means of cultural resistance, enabling marginalised communities to assert their existence and adapt to new surroundings. The breadth of insights on the nocturnal musical experiences of migrant communities from South Africa to Germany to Brazil to Japan and further beyond provide much needed and comprehensive contributions to understanding how music serves as a medium for both adaptation and resistance within various migratory contexts.'

• List of Figures 1. Sensorial Belonging and Urban Migration: An Introduction to Sonic SignaturesDerek ParduePART 1: COLLABORATION 2. Music, Memory and Migration at Night: Relational Ways of Knowing through Arts-Based CollaborationsKatie Young and Ailbhe Kenny3. Resonating Restrictions: Dreaming with EDM ‘In-between’ Casablanca and MontrealJillian Fulton-MelansonInterlude 1. ‘How “Free” Is the Free Africa Festival?’ Willians Santos and Derek ParduePART 2: STREET SOUNDS4. Nocturnal Polyphony: Mobile Music-Making as Urban CompositionNick DunnInterlude 2. ‘Tokyo After Hours’Nick PriorPART 3: HISTORICITY5. Manolo D’Aro Postmortem: The Eternal and the Futurible in the Musical Landscapes of Francoist Experiential CapitalismPol Esteve Castelló6. Dancing Down Memory Lane: (Re)experiences of Cape Verdean Nightlife in RotterdamSeger KersbergenInterlude 3. Karingido: Vigilante Tricksters and Feedback-Loop Approaches to a Liberation StruggleMasimba Hwati and Austin T. RicheyPART 4: BELONGING7. Lisbon Under Construction: The Nocturnal Stylings of batida do guetoJacqueline Georgis8. (Be)Longing: Irish Musicking and Place-Making in Oslo, NorwayÁine MangaoangInterlude 4. ‘New York Ne Dort Pas’Brendan KibbeePART 5: DISCORD9. Urban Outcasts and the Defiant iSicathamiya MusicSipho Sithole10. Rooms for Resistance: Migration and Social Markers of Difference in Berlin Queer Underground Electronic Music SceneGibran Teixeira BragaInterlude 5. Sounding In, Sounding Out: Remembrance and Resistance at the BorderEmilie Amrein and André de QuadrosNotes on ContributorsIndex