Álvaro J. Vidal Bouzon is Assistant Professor of Hispanic and Lusophone Studies at the University of Nottingham and a fellow of the Galician Academy of the Portuguese Language. He is the author of A Galiza (não) é longe daqui…? Lendo(-se) em imagens, mirando(-se) em textos, a monograph on the representation of Galician (national) identity.Adam Sharman is Professor of Latin American Studies and Critical Theory in the Department of Modern Languages and Cultures at the University of Nottingham. He is the author of Deconstructing the Enlightenment in Spanish America and Otherwise Engaged: After Hegel and the Philosophy of History.Katherine Shingler was Associate Professor of French and Francophone Studies at the University of Nottingham. She is the author of The French Art Novel, 1900–1930 and was also general editor of the journal Nottingham French Studies.

• Contents: Álvaro J. Vidal Bouzon: Introduction: (Other) Takes on a Strange Spring – France et Au-Delà – Chris Reynolds: In the Shadow of the Parisian Doxa: ’68s Regional and Transnational Others – Mitchell Abidor: May ’68, the French Working Class and Revolution – Vladimir Zorić: Hostages in Their Own Homes: Transnational Hospitality in the Wake of the Soviet Occupation of Czechoslovakia – Gabriel Albiac: May ’68: The Shards of a Subject – Intellectuals In and After ’68 – Álvaro J. Vidal Bouzon: (Long) Goodbyes to the Reality of the Mirror? Novelizing with(out) Subject and with(out) Ends in Gabriel Albiac’s Mayo del 68. Una educacion sentimental/Fin de fiesta – Adam Sharman: The Ends of Revolution: Derrida and the «Thought of ’68» – Colin Wright: Lacan’s May ’68: Analysing the Institution in the Wake of the Discourse of the University – Regine Strätling: Self-Reflexive Maoism? Alberto Moravia’s Pre-’68 Critique of the Consumer Society – Matthias Uecker: Commitment and Distance: Hans Magnus Enzensberger in 1968 – Visual ’68s – Katherine Shingler and Dominique Beaux: Un étrange printemps: An Interview with Dominique Beaux – Antigoni Memou: The Repressed Visual Legacies of May ’68 – Jovana Đurović: Hidden Rebellion in Popular Youth Films in Yugoslavia in the Run-Up to 1968 – Stephanie King: Arriving after the Fact: ’68 and the Politics of Belatedness in Exit Photography Group’s Survival Programmes (1982).