Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.

• Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?David LaRoccaChapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”Adam DanielChapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red LineDavid J. GilbertChapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence MalickKip RedickChapter Five: How Can a Film be Poetic? The Case of The Thin Red LineTimothy E.G. BartelChapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence MalickJoshua RussellChapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in ContextDean YamadaChapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in DialogueAnthony ParisiChapter Nine: The Journey Home: A Unity of Memory and Cosmology in CinemaJoshua SikoraChapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological DiscourseNaam

Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.

• Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?David LaRoccaChapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”Adam DanielChapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red LineDavid J. GilbertChapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence MalickKip RedickChapter Five: How Can a Film be Poetic? The Case of The Thin Red LineTimothy E.G. BartelChapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence MalickJoshua RussellChapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in ContextDean YamadaChapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in DialogueAnthony ParisiChapter Nine: The Journey Home: A Unity of Memory and Cosmology in CinemaJoshua SikoraChapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological DiscourseNaam

Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.

• Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?David LaRoccaChapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”Adam DanielChapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red LineDavid J. GilbertChapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence MalickKip RedickChapter Five: How Can a Film be Poetic? The Case of The Thin Red LineTimothy E.G. BartelChapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence MalickJoshua RussellChapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in ContextDean YamadaChapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in DialogueAnthony ParisiChapter Nine: The Journey Home: A Unity of Memory and Cosmology in CinemaJoshua SikoraChapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological DiscourseNaam