Alistair Fair is Reader in Architectural History at the University of Edinburgh. A specialist in twentieth-century British architecture, he has worked extensively on the new towns.

‘Alistair Fair's Peter Moro and Partners is a fine addition to the Twentieth Century Society’s monograph series... Moro saw theatres as “the ultimate in architectural design”, and the care with which he created a “theatrical atmosphere”, a sense of festivity without the ornament of older theatres, distinguishes his work. All this and the visual effect of populating the buildings are superbly well described by Fair.’ Adrian Forty, Architectural History

• Foreword by Trevor DannattAcknowledgementsIntroductionChapter 1: FoundationsChapter 2: EducationChapter 3: Commercial buildingsChapter 4: Modern livingChapter 5: Theatres and the artsConclusion NotesList of worksIllustration creditsIndex

Alistair Fair is Reader in Architectural History at the University of Edinburgh. A specialist in twentieth-century British architecture, he has worked extensively on the new towns.

‘Alistair Fair's Peter Moro and Partners is a fine addition to the Twentieth Century Society’s monograph series... Moro saw theatres as “the ultimate in architectural design”, and the care with which he created a “theatrical atmosphere”, a sense of festivity without the ornament of older theatres, distinguishes his work. All this and the visual effect of populating the buildings are superbly well described by Fair.’ Adrian Forty, Architectural History

• Foreword by Trevor DannattAcknowledgementsIntroductionChapter 1: FoundationsChapter 2: EducationChapter 3: Commercial buildingsChapter 4: Modern livingChapter 5: Theatres and the artsConclusion NotesList of worksIllustration creditsIndex

Alistair Fair is Reader in Architectural History at the University of Edinburgh. A specialist in twentieth-century British architecture, he has worked extensively on the new towns.

‘Alistair Fair's Peter Moro and Partners is a fine addition to the Twentieth Century Society’s monograph series... Moro saw theatres as “the ultimate in architectural design”, and the care with which he created a “theatrical atmosphere”, a sense of festivity without the ornament of older theatres, distinguishes his work. All this and the visual effect of populating the buildings are superbly well described by Fair.’ Adrian Forty, Architectural History

• Foreword by Trevor DannattAcknowledgementsIntroductionChapter 1: FoundationsChapter 2: EducationChapter 3: Commercial buildingsChapter 4: Modern livingChapter 5: Theatres and the artsConclusion NotesList of worksIllustration creditsIndex