Edited by Enrico Bonadio, Professor of Intellectual Property Law, The City Law School, City St George’s, University of London, UK and Cristiana Sappa, Professor of Business Law, INENTIS Department, IESEG School of Management, Lille, France

‘The Subjects of Literary and Artistic Copyright edited by Enrico Bonadio and Cristiana Sappa looks at copyright aspects of art and literature through the eyes of their main stakeholders, grouped in the volume in two categories: creators and intermediaries/ managers. Using historical and empirical analysis, this great collection revisits many assumptions about the creative process and the current management of copyrighted works. A must read for everyone interested in the complex relationships of all the actors involved in the process of cultural production.’

• Contents:Foreword ixIntroduction 1Enrico Bonadio and Cristiana SappaPART I CREATORSSECTION A LITERATURE1 The effects of copyrights on poets’ and novelists’economic returns 9Michela Giorcelli2 Playwrights 22Luke McDonagh3 The fragility of freelancing: The impact of copyright lawon modern journalism 37Mary Catherine Amerine4 Academic authors, copyright and dissemination ofknowledge: A comparative overview 58Marco Bellia and Valentina MosconSECTION B ART5 Copyright protection for painters, sculptors and cartoonists 78Rudy Capildeo, Chris Haywood and James Yow6 Digital photographers: Trust, truth, and copyright in thedigital age 98Jessica Silbey7 ‘It’s not you, it’s me’: Are designers and copyright a good match? 113Ana Ramalho8 Architecture and dysfunction 137Xiyin TangPART II MANAGERS AND INTERMEDIARIES9 Publishers and copyright 157Enrico Bonadio and Anele Simon10 Libraries and copyright law in the 21st century 183Maximiliano Marzetti11 Capturing the uncapturable: The relationship betweenuniversities and copyright through the lens of theaudio-visual lecture capture policies 207Guido Noto La Diega, Giulia Priora, Bernd Justin Jütteand Léo Pascault12 Museums as education facilitators: How copyright affectsaccess and dissemination of cultural heritage 234Cristiana Sappa13 Galleries and auction houses: The invisible managers ofartistic copyright? 258Simon StokesIndex

Edited by Enrico Bonadio, Professor of Intellectual Property Law, The City Law School, City St George’s, University of London, UK and Cristiana Sappa, Professor of Business Law, INENTIS Department, IESEG School of Management, Lille, France

‘The Subjects of Literary and Artistic Copyright edited by Enrico Bonadio and Cristiana Sappa looks at copyright aspects of art and literature through the eyes of their main stakeholders, grouped in the volume in two categories: creators and intermediaries/ managers. Using historical and empirical analysis, this great collection revisits many assumptions about the creative process and the current management of copyrighted works. A must read for everyone interested in the complex relationships of all the actors involved in the process of cultural production.’

• Contents:Foreword ixIntroduction 1Enrico Bonadio and Cristiana SappaPART I CREATORSSECTION A LITERATURE1 The effects of copyrights on poets’ and novelists’economic returns 9Michela Giorcelli2 Playwrights 22Luke McDonagh3 The fragility of freelancing: The impact of copyright lawon modern journalism 37Mary Catherine Amerine4 Academic authors, copyright and dissemination ofknowledge: A comparative overview 58Marco Bellia and Valentina MosconSECTION B ART5 Copyright protection for painters, sculptors and cartoonists 78Rudy Capildeo, Chris Haywood and James Yow6 Digital photographers: Trust, truth, and copyright in thedigital age 98Jessica Silbey7 ‘It’s not you, it’s me’: Are designers and copyright a good match? 113Ana Ramalho8 Architecture and dysfunction 137Xiyin TangPART II MANAGERS AND INTERMEDIARIES9 Publishers and copyright 157Enrico Bonadio and Anele Simon10 Libraries and copyright law in the 21st century 183Maximiliano Marzetti11 Capturing the uncapturable: The relationship betweenuniversities and copyright through the lens of theaudio-visual lecture capture policies 207Guido Noto La Diega, Giulia Priora, Bernd Justin Jütteand Léo Pascault12 Museums as education facilitators: How copyright affectsaccess and dissemination of cultural heritage 234Cristiana Sappa13 Galleries and auction houses: The invisible managers ofartistic copyright? 258Simon StokesIndex

Edited by Enrico Bonadio, Professor of Intellectual Property Law, The City Law School, City St George’s, University of London, UK and Cristiana Sappa, Professor of Business Law, INENTIS Department, IESEG School of Management, Lille, France

‘The Subjects of Literary and Artistic Copyright edited by Enrico Bonadio and Cristiana Sappa looks at copyright aspects of art and literature through the eyes of their main stakeholders, grouped in the volume in two categories: creators and intermediaries/ managers. Using historical and empirical analysis, this great collection revisits many assumptions about the creative process and the current management of copyrighted works. A must read for everyone interested in the complex relationships of all the actors involved in the process of cultural production.’

• Contents:Foreword ixIntroduction 1Enrico Bonadio and Cristiana SappaPART I CREATORSSECTION A LITERATURE1 The effects of copyrights on poets’ and novelists’economic returns 9Michela Giorcelli2 Playwrights 22Luke McDonagh3 The fragility of freelancing: The impact of copyright lawon modern journalism 37Mary Catherine Amerine4 Academic authors, copyright and dissemination ofknowledge: A comparative overview 58Marco Bellia and Valentina MosconSECTION B ART5 Copyright protection for painters, sculptors and cartoonists 78Rudy Capildeo, Chris Haywood and James Yow6 Digital photographers: Trust, truth, and copyright in thedigital age 98Jessica Silbey7 ‘It’s not you, it’s me’: Are designers and copyright a good match? 113Ana Ramalho8 Architecture and dysfunction 137Xiyin TangPART II MANAGERS AND INTERMEDIARIES9 Publishers and copyright 157Enrico Bonadio and Anele Simon10 Libraries and copyright law in the 21st century 183Maximiliano Marzetti11 Capturing the uncapturable: The relationship betweenuniversities and copyright through the lens of theaudio-visual lecture capture policies 207Guido Noto La Diega, Giulia Priora, Bernd Justin Jütteand Léo Pascault12 Museums as education facilitators: How copyright affectsaccess and dissemination of cultural heritage 234Cristiana Sappa13 Galleries and auction houses: The invisible managers ofartistic copyright? 258Simon StokesIndex