The essays in this volume focus on rings as small objects that have touched upon people, places, and events; rings have also featured in scholastic debates and form our modern museum collections. Contributors collectively argue that a closer look at these diminutive artifacts—both precious and mundane—alongside an assessment of their place within the visual, archaeological, and written record, and in museum contexts tells us more nuanced stories about how and why these small and sensory items were crafted and created connections between people and institutions. Their focus on the social aspects of medieval finger rings unites the contributions of nine scholars with backgrounds in art history, history, archaeology, museum studies, and collecting. Together their essays cover material roughly ranging from 1100 to 1500 in Iberia, France, England, Germany, Rus, and Byzantium.
