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      1. Kultur
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      If Colors Could Be Heard

      Narratives about Racial Identity in Music Education

      AvChristopher Cayari,Jason D. Thompson

      Inbunden, Engelska, 2025

      Del i serien Contemporary Music Making and Learning

      1 639 kr

      Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

      Beskrivning

      If Colors Could Be Heard: Narratives About Racial Identity in Music Education is a platform of, by and for People of Colour who are music educators, artists, activists, and students. For this book, we asked authors to consider their race and ethnicity as an intimate and essential part of their music learning, making and teaching. The narratives in this collection include tales of being a music student, stories of growing up and finding one’s place in musical worlds and accounts of teaching students about race, ethnicity, culture and identity. The chapters in this book are not research studies unless explicitly stated by the author. Instead, the chapters in tandem represent a stunning mosaic with shades of melanated skin that will serve as a scholarly picture that represents a portion of music education in the United States. Here, you will find self-told stories by people from the Global Majority – a term used to describe Black, African, Asian, Brown, Latin, Dual-heritage and Indigenous people.

      Produktinformation

      • Utgivningsdatum:2025-11-03
      • Mått:170 x 244 x 19 mm
      • Vikt:689 g
      • Format:Inbunden
      • Språk:Engelska
      • Serie:Contemporary Music Making and Learning
      • Antal sidor:304
      • Förlag:Intellect
      • ISBN:9781835951675

      Utforska kategorier

      • Musikböcker inom Kultur
      • Pedagogik inom Psykologi och pedagogik
      • Etnicitet inom Samhälle och politik

      Mer om författaren

      Christopher Cayari is an associate professor of music at Purdue University West Lafayette-Indianapolis, IN. Their research interests include popular music, musical theater, race & ethnicity, gender & sexuality and identity scholarship.Jason D. Thompson is an an inaugural faculty member at the nation’s first Black Honors College at California State University, Sacramento, CA. His research interests include socially engaged arts practices, music participation as civic engagement and the ways culture shapes musical experiences.Rekha S. Rajan is an award-winning classically trained singer who has performed in musicals, operas and operettas across the USA. Her bestselling children's literature books encourage young readers to explore the world around them through the arts.

      Innehållsförteckning

      • AcknowledgmentsIntroduction: Painting Wondrous Tunes with Stories by People of ColorChristopher Cayari, Jason D. Thompson, and Rekha S. Rajan  Section I: Intersectionality Orientation I: Intersectionality and Music Education: Why Identity Matters, Especially for People of Color Christopher Cayari 1. "From minor to Major feelings, I am more than just Stop Asian Hate”Alice Tsui 徐晓兰 2. In Her Voice: (Re)Visioning Race and Gender in the Music Classroom through the Lens of Black Feminist PedagogyPaula Grissom Broughton 3. Coming Out as Asian: Multiplying Identity and Intersectionality Christopher Cayari 4. Self-Made? Representation, Tokenism, and Finding Autonomy as an Educator Marcus Moone 5. The Hip-Hop Therapeutic Education of a Single Mother Terriee Pope  Section II: Forging New Pathways Orientation II: Forging Cultural Pathways in Music Learning, Making, and Teaching Jason D. Thompson and Rekha S. Rajan 6. Searching Somewhere Over the Rainbow for a Home in Choral Music Education Kiernan M. Steiner 7. Teaching Music in Tkaronto: The Relationship Between Indigeneity and Place of Practice Joyce Jing Yee Yip and Lee Cheng 8. My Journey and My Music: Breaking the Hegemony of the Music Classroom in Hong KongChi Ying Lam 9. inVISIBLE: A Journey to (Re)claim, (Re)embrace, and (Re)settle Shuk-Ki Wong 10. Between the Piano and the Gayageum: From Reversal to Empowerment Sangmi Kang (강상미)  Section III: Epiphanies Orientation III: Epiphanies: How Reflection and Realization Influence Our Musical Experiences Christopher Cayari 11. SPOTLIGHT Rekha S. Rajan 12. Giving Myself Permission to be a Musician Tina Huynh13. “Just look at Anthony!”: Searching for Identity, Teaching Music Anthony Cao 14. Ni de aquí ni de allá: The In-Betweenness of AfroLatinidadMarjoris Regus 15. Silent No More: A Vietnamese American Adoptee Speaks About Music Education and Who I Wronged   Kính T. Vũ  Section IV: Triumph and Excellence Orientation IV: Triumph and ExcellenceJason D. Thompson 16. Making Space. Taking Space. Owning Space. Creating SpaceEric Williamson17. Through the Looking Glass: An Asian American Music Educator’s Counter-Story Mindy H. Park 18. Remixing the “Good News”: Using Music to Sustain Faith Latasha Thomas-Durrell 19. Hitting the Music Educational Jackpot: Directing the Marching Band at a Historic Las Vegas School Alfonzo V. Kimbrough Section V: Reimagining Music Education Orientation V: Reimagining Music Education: Challenges, Changes, and Triumphs Rekha S. Rajan 20. The Diversity Within: An Intersectional Challenge/Opportunity Darrin Thornton 21. Vocal Music Education in Queer Asian AmericaTaylor Masamitsu 22. The Gospel of Musical Inclusion Jason D. Thompson 23. Musicking with the Other 80%Alberto Vargas 24. I, Too, Wear the Mask Quinton D. Parker 25. “I Can See Clearly Now:” Confronting Stereotypes and Assumptions about Urban Music Education G. Preston Wilson, Jr. Epilogue: Carrying the Fire!! of a New Music Education: Devoted to Musicians of the Global Majority Christopher CayariIndex
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