Jennifer Craig certified in SCUBA diving at sixteen years old and has 5,000 dives across the world’s waters. She completed her Masters in Maritime Archaeology and History at the University of Bristol in 2004 with her first Maritime Grant from the Nova Scotia Museum of the Atlantic. Her projects have always sought collaboration across languages and resources. She started her DPhil at the University of Oxford’s Centre for Maritime Archaeology and completed her PhD with McGill University’s Major Collaborative Research Initiative of the Indian Ocean World Centre. Jennifer served as co-chair and publications lead of the Inaugural UNESCO patronage APConf (2011), has remained on the Executive Board and recently served as Publications Lead Coordinator (2023). She is in community as a mother and professional.

“The book is a worthy collection of real-world applications or implementation of theory.” • Kong F. Cheong, American University“The strength of this volume is the bringing together of diverse voices from the Asia-Pacific region with a focus on underwater cultural heritage…(it) is a novel and valuable outcome.” • Ross Anderson, Western Australian Museum

• List of IllustrationsPreface: Charting New Waters: A Landmark Gathering for a Global CauseVeronica Walker Vadillo, Nia Hasanah Ridwan and Brian FahyList of AbbreviationsIntroduction: A Watery Perspective of Heart-Centred ArchaeologyJennifer Craig and Jay MokChapter 1. Moana Nui Rising: Oceanic Activisms and FuturitiesNālani Wilson-HokowhituChapter 2. Impact Assessment of Current and Future Sea-Level Rises on Coastal and Underwater Archaeological Sites in IndonesiaUlung Jantama Wisha, Wisnu Arya Gemilang and Nia Naelul Hasanah RidwanChapter 3. Methodizing Comprehensive Marine ‘Convergence Knowledge (So-Go-Chi)’ through Community Participation: Maritime and Underwater Cultural Heritage in the Seto Inland Sea, JapanChihiro NishikawaChapter 4. Traditional Ocean Wisdom: Universal Longline Fishing as Community Cooperative Production Method and Maritime Cultural HeritageXu Lu (許路), Yu Longfa (余龍發), Luo Yi (羅易) and Zhu Zhengguang (朱爭光)Chapter 5. Preserving Our Ocean Heritage: Biodiversity Surveys on Archaeological Shipwreck SitesVishmi Gunasinghe, Rasika Muthucumarana, Anuradha Piyadasa, Tharushi Malshani and Dharshana JayawardenaChapter 6. Rethinking Maritime Archaeology in Taiwan through Affective Collectivism: A Framework for Public Inclusion and Co-creationJay Mok (莫芷茵), and Cheng-hwa Tsang (臧振華)Chapter 7. Collections-Based Research with Maritime Cultural Landscape a Common Thai Practice: Si Satchanalai Ceramic Figurines from Klang Aow ShipwreckKhongkamon RattapatChapter 8. Interdisciplinary and Community Inclusive Approaches in Submerged WWII Heritage Research in the PacificJennifer F. McKinnon, David Benavente, Toni L. Carrell, Erin Field, Vicki Richards, Della Scott-Ireton, Mark Stephens, Aleck Tan and Kota YamafuneChapter 9. For Community, By Community: Promoting Underwater Cultural Heritage in Vietnam. A Case Study of the History Museum in Ho Chi Minh CityNguyen Thi Huynh Nhu and Nguyen Khac Xuan ThiEpilogue: Origins, or Why We Signed On Board in the First PlaceHans K. Van TilburgBibliographyIndex

Jennifer Craig certified in SCUBA diving at sixteen years old and has 5,000 dives across the world’s waters. She completed her Masters in Maritime Archaeology and History at the University of Bristol in 2004 with her first Maritime Grant from the Nova Scotia Museum of the Atlantic. Her projects have always sought collaboration across languages and resources. She started her DPhil at the University of Oxford’s Centre for Maritime Archaeology and completed her PhD with McGill University’s Major Collaborative Research Initiative of the Indian Ocean World Centre. Jennifer served as co-chair and publications lead of the Inaugural UNESCO patronage APConf (2011), has remained on the Executive Board and recently served as Publications Lead Coordinator (2023). She is in community as a mother and professional.

“The book is a worthy collection of real-world applications or implementation of theory.” • Kong F. Cheong, American University“The strength of this volume is the bringing together of diverse voices from the Asia-Pacific region with a focus on underwater cultural heritage…(it) is a novel and valuable outcome.” • Ross Anderson, Western Australian Museum

• List of IllustrationsPreface: Charting New Waters: A Landmark Gathering for a Global CauseVeronica Walker Vadillo, Nia Hasanah Ridwan and Brian FahyList of AbbreviationsIntroduction: A Watery Perspective of Heart-Centred ArchaeologyJennifer Craig and Jay MokChapter 1. Moana Nui Rising: Oceanic Activisms and FuturitiesNālani Wilson-HokowhituChapter 2. Impact Assessment of Current and Future Sea-Level Rises on Coastal and Underwater Archaeological Sites in IndonesiaUlung Jantama Wisha, Wisnu Arya Gemilang and Nia Naelul Hasanah RidwanChapter 3. Methodizing Comprehensive Marine ‘Convergence Knowledge (So-Go-Chi)’ through Community Participation: Maritime and Underwater Cultural Heritage in the Seto Inland Sea, JapanChihiro NishikawaChapter 4. Traditional Ocean Wisdom: Universal Longline Fishing as Community Cooperative Production Method and Maritime Cultural HeritageXu Lu (許路), Yu Longfa (余龍發), Luo Yi (羅易) and Zhu Zhengguang (朱爭光)Chapter 5. Preserving Our Ocean Heritage: Biodiversity Surveys on Archaeological Shipwreck SitesVishmi Gunasinghe, Rasika Muthucumarana, Anuradha Piyadasa, Tharushi Malshani and Dharshana JayawardenaChapter 6. Rethinking Maritime Archaeology in Taiwan through Affective Collectivism: A Framework for Public Inclusion and Co-creationJay Mok (莫芷茵), and Cheng-hwa Tsang (臧振華)Chapter 7. Collections-Based Research with Maritime Cultural Landscape a Common Thai Practice: Si Satchanalai Ceramic Figurines from Klang Aow ShipwreckKhongkamon RattapatChapter 8. Interdisciplinary and Community Inclusive Approaches in Submerged WWII Heritage Research in the PacificJennifer F. McKinnon, David Benavente, Toni L. Carrell, Erin Field, Vicki Richards, Della Scott-Ireton, Mark Stephens, Aleck Tan and Kota YamafuneChapter 9. For Community, By Community: Promoting Underwater Cultural Heritage in Vietnam. A Case Study of the History Museum in Ho Chi Minh CityNguyen Thi Huynh Nhu and Nguyen Khac Xuan ThiEpilogue: Origins, or Why We Signed On Board in the First PlaceHans K. Van TilburgBibliographyIndex

Jennifer Craig certified in SCUBA diving at sixteen years old and has 5,000 dives across the world’s waters. She completed her Masters in Maritime Archaeology and History at the University of Bristol in 2004 with her first Maritime Grant from the Nova Scotia Museum of the Atlantic. Her projects have always sought collaboration across languages and resources. She started her DPhil at the University of Oxford’s Centre for Maritime Archaeology and completed her PhD with McGill University’s Major Collaborative Research Initiative of the Indian Ocean World Centre. Jennifer served as co-chair and publications lead of the Inaugural UNESCO patronage APConf (2011), has remained on the Executive Board and recently served as Publications Lead Coordinator (2023). She is in community as a mother and professional.

“The book is a worthy collection of real-world applications or implementation of theory.” • Kong F. Cheong, American University“The strength of this volume is the bringing together of diverse voices from the Asia-Pacific region with a focus on underwater cultural heritage…(it) is a novel and valuable outcome.” • Ross Anderson, Western Australian Museum

• List of IllustrationsPreface: Charting New Waters: A Landmark Gathering for a Global CauseVeronica Walker Vadillo, Nia Hasanah Ridwan and Brian FahyList of AbbreviationsIntroduction: A Watery Perspective of Heart-Centred ArchaeologyJennifer Craig and Jay MokChapter 1. Moana Nui Rising: Oceanic Activisms and FuturitiesNālani Wilson-HokowhituChapter 2. Impact Assessment of Current and Future Sea-Level Rises on Coastal and Underwater Archaeological Sites in IndonesiaUlung Jantama Wisha, Wisnu Arya Gemilang and Nia Naelul Hasanah RidwanChapter 3. Methodizing Comprehensive Marine ‘Convergence Knowledge (So-Go-Chi)’ through Community Participation: Maritime and Underwater Cultural Heritage in the Seto Inland Sea, JapanChihiro NishikawaChapter 4. Traditional Ocean Wisdom: Universal Longline Fishing as Community Cooperative Production Method and Maritime Cultural HeritageXu Lu (許路), Yu Longfa (余龍發), Luo Yi (羅易) and Zhu Zhengguang (朱爭光)Chapter 5. Preserving Our Ocean Heritage: Biodiversity Surveys on Archaeological Shipwreck SitesVishmi Gunasinghe, Rasika Muthucumarana, Anuradha Piyadasa, Tharushi Malshani and Dharshana JayawardenaChapter 6. Rethinking Maritime Archaeology in Taiwan through Affective Collectivism: A Framework for Public Inclusion and Co-creationJay Mok (莫芷茵), and Cheng-hwa Tsang (臧振華)Chapter 7. Collections-Based Research with Maritime Cultural Landscape a Common Thai Practice: Si Satchanalai Ceramic Figurines from Klang Aow ShipwreckKhongkamon RattapatChapter 8. Interdisciplinary and Community Inclusive Approaches in Submerged WWII Heritage Research in the PacificJennifer F. McKinnon, David Benavente, Toni L. Carrell, Erin Field, Vicki Richards, Della Scott-Ireton, Mark Stephens, Aleck Tan and Kota YamafuneChapter 9. For Community, By Community: Promoting Underwater Cultural Heritage in Vietnam. A Case Study of the History Museum in Ho Chi Minh CityNguyen Thi Huynh Nhu and Nguyen Khac Xuan ThiEpilogue: Origins, or Why We Signed On Board in the First PlaceHans K. Van TilburgBibliographyIndex