Natalie Le Clue is a Media Lecturer at the Cape Peninsula University of Technology, South Africa.

• Introduction; Natalie Le Clue Section 1. Body and Identity Chapter 1. Polygonal Pleasures: Lara Croft’s Body and 3D Computer Graphics; Cass Zegura Chapter 2. Decoding Lara Croft: Fan Perspectives on Gender and Representation in Tomb Raider; Élodie Simard Chapter 3. Depictions of Lara Croft in Tomb Raider Memes: Nostalgia, Incompetence, and Sexualization; Rachel L. Carazo Section 2. Memory and Narrative Chapter 4. Raiding the past: Fan memory and the Tomb Raider legacy; Natalie Le Clue Chapter 5. Horror, Monsters and Puzzles: Rewriting Tomb Raider in As Above, So Below; Fernando Gabriel Pagnoni Berns and Melissa CammilleriChapter 6. Telling Lara’s story: An Analysis of The Tomb Raider Reboot Trilogy Video Games and 2018 Film as Narratives; Janine Engelbrecht Section 3. Genre and Gaming Influence Chapter 7. Adventuring Reimagined: How Tomb Raider Pioneered the Action-Adventure Genre; Juan Carlos García Romero Chapter 8. Lara Croft: Heritage Hero or Maverick? A Law, Management and Popular Culture Perspective; Izabella Parowicz, Luis Javier Capote Perez, and Piotr Stec Section 4. Colonial Narratives and Cultural Impact Chapter 9. (Colonial) Shadows of the Tomb Raider: The Portrayal of Archaeology and Exploration of South Asia; Akash Srinivas and Saloni DiwakarChapter 10. Rupturing Colonial Narratives: Examining Decolonial Disruptions in the Tomb Raider Films; Nadia Elize Van Der Walt Chapter 11. Feminine Power in Pixels: Lara Croft’s Indian Legacy; Fiza Farooqui Conclusion; Natalie Le Clue

Natalie Le Clue is a Media Lecturer at the Cape Peninsula University of Technology, South Africa.

• Introduction; Natalie Le Clue Section 1. Body and Identity Chapter 1. Polygonal Pleasures: Lara Croft’s Body and 3D Computer Graphics; Cass Zegura Chapter 2. Decoding Lara Croft: Fan Perspectives on Gender and Representation in Tomb Raider; Élodie Simard Chapter 3. Depictions of Lara Croft in Tomb Raider Memes: Nostalgia, Incompetence, and Sexualization; Rachel L. Carazo Section 2. Memory and Narrative Chapter 4. Raiding the past: Fan memory and the Tomb Raider legacy; Natalie Le Clue Chapter 5. Horror, Monsters and Puzzles: Rewriting Tomb Raider in As Above, So Below; Fernando Gabriel Pagnoni Berns and Melissa CammilleriChapter 6. Telling Lara’s story: An Analysis of The Tomb Raider Reboot Trilogy Video Games and 2018 Film as Narratives; Janine Engelbrecht Section 3. Genre and Gaming Influence Chapter 7. Adventuring Reimagined: How Tomb Raider Pioneered the Action-Adventure Genre; Juan Carlos García Romero Chapter 8. Lara Croft: Heritage Hero or Maverick? A Law, Management and Popular Culture Perspective; Izabella Parowicz, Luis Javier Capote Perez, and Piotr Stec Section 4. Colonial Narratives and Cultural Impact Chapter 9. (Colonial) Shadows of the Tomb Raider: The Portrayal of Archaeology and Exploration of South Asia; Akash Srinivas and Saloni DiwakarChapter 10. Rupturing Colonial Narratives: Examining Decolonial Disruptions in the Tomb Raider Films; Nadia Elize Van Der Walt Chapter 11. Feminine Power in Pixels: Lara Croft’s Indian Legacy; Fiza Farooqui Conclusion; Natalie Le Clue

Natalie Le Clue is a Media Lecturer at the Cape Peninsula University of Technology, South Africa.

• Introduction; Natalie Le Clue Section 1. Body and Identity Chapter 1. Polygonal Pleasures: Lara Croft’s Body and 3D Computer Graphics; Cass Zegura Chapter 2. Decoding Lara Croft: Fan Perspectives on Gender and Representation in Tomb Raider; Élodie Simard Chapter 3. Depictions of Lara Croft in Tomb Raider Memes: Nostalgia, Incompetence, and Sexualization; Rachel L. Carazo Section 2. Memory and Narrative Chapter 4. Raiding the past: Fan memory and the Tomb Raider legacy; Natalie Le Clue Chapter 5. Horror, Monsters and Puzzles: Rewriting Tomb Raider in As Above, So Below; Fernando Gabriel Pagnoni Berns and Melissa CammilleriChapter 6. Telling Lara’s story: An Analysis of The Tomb Raider Reboot Trilogy Video Games and 2018 Film as Narratives; Janine Engelbrecht Section 3. Genre and Gaming Influence Chapter 7. Adventuring Reimagined: How Tomb Raider Pioneered the Action-Adventure Genre; Juan Carlos García Romero Chapter 8. Lara Croft: Heritage Hero or Maverick? A Law, Management and Popular Culture Perspective; Izabella Parowicz, Luis Javier Capote Perez, and Piotr Stec Section 4. Colonial Narratives and Cultural Impact Chapter 9. (Colonial) Shadows of the Tomb Raider: The Portrayal of Archaeology and Exploration of South Asia; Akash Srinivas and Saloni DiwakarChapter 10. Rupturing Colonial Narratives: Examining Decolonial Disruptions in the Tomb Raider Films; Nadia Elize Van Der Walt Chapter 11. Feminine Power in Pixels: Lara Croft’s Indian Legacy; Fiza Farooqui Conclusion; Natalie Le Clue