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    Essays on Renaissance Music in Honour of David Fallows

    Bon jour, bon mois et bonne estrenne

    AvFabrice Fitch,Jacobijn Kiel

    Inbunden, Engelska, 2011

    Del 11 i serien Studies in Medieval and Renaissance Music

    1 698 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars.This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand.Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm

    Produktinformation

    • Utgivningsdatum:2011-07-21
    • Mått:156 x 234 x 29 mm
    • Vikt:733 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Studies in Medieval and Renaissance Music
    • Antal sidor:448
    • Förlag:Boydell & Brewer Ltd
    • ISBN:9781843836193

    Utforska kategorier

    • Klassisk musik, konstmusik och orkestermusik inom Kultur

    Mer om författaren

    MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford. TESS KNIGHTON is an ICREA Research Professor affiliated to the Institució Milà i Fontanals-CSIC in Barcelona and an Emeritus Fellow of Clare College, Cambridge.

    Recensioner i media

    The book is beautifully produced, with lots of good illustrations and musical examples [...] In a sense it is a monument, not just to one scholar, but to a whole generation in which some of the finest minds dedicated themselves to the music of the fifteenth century.

    Innehållsförteckning

    • Manuscript SiglaPreface - Fabrice Fitch and Jacobijn KielForeword: David Fallows and the Performance of Medieval Music - Fremin le Caron at Amiens: New Documents - Rob C. WegmanUng Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier - Jane AldenA New Tenor on So ys emprentid - Bonnie BlackburnShedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report - Honey MeconiTwo musical letters from Aragonese Naples - Gianluca D'AgostinoJohannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions - Andrew KirkmanIntermedio I: Yes, We Were Young... - Jaap van BenthemPetrarch, Padua, the Malatestas, Du Fay and Vergene bella - Margaret BentA Suggestion about Fauxbourdon - James HaarDu Fay's Plainsong Paraphrase Settings - Alejandro PlanchartWith a Flourish: Melismatic Writing in Du Fay's Early Songs - Jesse RodinPortugaler: Guillaume Du Fay's contribution to instrumental music? - Lorenz WelkerA Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15 - Kinuho EndoMartini and Obrecht: Some Speculations - Joshua RifkinThe Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi - Thomas Schmidt-BesteWhat Were They Thinking? Sola caret monstris at the Papal Court - Richard SherrA Gloria Newly Attributed to Byttering - Peter WrightIntermedio II: Agricola VIII - Fabrice FitchA new song in a strange land? Garcimuños's Una montaña pasando - Tess KnightonIsaac's pre-Italian songs: An over-optimistic hand-list - Warwick EdwardsWords and Music in the Sea of Long Waiting - Adam Knight Gilbert'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur - Markus JansThree times seven Songs by Byrd - Oliver Neighbour'I must complain': A Comparative Study in Variant Settings - Anthony RooleyHeinrich Isaac and shifting musical perspectives, c.1485-1490 - Keith Polk'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez - Jaap van BenthemSurface, Structure and 'Style' in Absalon fili mi - John MilsomWho Really Knows Who Composed Mille regretz? - Fabrice FitchJosquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye' - Jeffrey DeanIn pace in idipsum: a little-known motet attributed to Josquin - Eric JasIntermedio III: Verspätete Monologe - Brahms' Klavierstücke op. 116, 117, 118 und 119 - Peter GülkeConfessional Companions: Herpol, Glareanus, and Friends - Matthew Laube, Reviews EditorCredit for Music in Court and City in the Low Countries, 1467-1500 - Barbara HagghDavid musicus, or: On the consoling power of string music - Dagmar Hoffmann-AxthelmThe Laudes Musicae in Renaissance Music Treatises - Leofranc Holford-StrevensThe Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch - Andrea Lindmayr-BrandlThe Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra - Esperanza Rodríguez-GarciaThe 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon - Eugeen SchreursThe difference of early European music - Reinhard StrohmList of ContributorsPrincipal publications of David Fallows