SCOTT MANDELBROTE is Fellow, Director of Studies in History, and Perne and Ward Librarian at Peterhouse, Cambridge. The Peterhouse partbooks fall under his care and he was responsible for the programme of conservation and research on the manuscripts that led to the publication of this volume. He has also supervised the complete recataloguing of Peterhouse's collections of rare books and manuscripts and the development of online resources in collaboration with the Digital Image Archive of Medieval Music and the Cambridge Digital Library. He is the editorial director of the Newton Project and has written or edited a dozen books on various aspects of early modern intellectual history.

• AcknowledgementsAbbreviationsList of FiguresConcordance of ShelfmarksList of ContributorsIntroduction - Scott Mandelbrote1. Music in the Early Modern English Parish Church - John Craig2. The Pre-Civil War University of Cambridge: Some Musical and Cultural Contexts - Tom Dixon3. Not Entirely Thwarted: Sources for the Evidence of Music-Making in Cambridge University in the Sixteenth and Seventeenth Centuries - David McKitterick4. Iconoclasm, Alienation, and Rebirth: Peterhouse and its Chapel in the Context of the English Reformation - Nicholas Tyacke5. 'A complete mirror of Innovation, Superstition and Oppression': The Theology of Matthew Wren- Stephen Hampton6. The Early Career and Beliefs of John Cosin - Anthony Milton7. The Construction and 'Inward Adorning' of Peterhouse Chapel, 1628-40 - David Scott8. The Power and the Glory: John Cosin and Architectural Interchange between Durham and Cambridge - Adrian Green9. 'A little chapel, but much popery': Peterhouse, William Dowsing and Iconoclasm in the 1640s - John Walter10. The Seventeenth-Century Context of Peterhouse Chapel and Latin Books of Common Prayer - Bryan D. Spinks11. The Musical Establishment at Peterhouse, 1635-43 - Ian Payne12. Peterhouse: The Organ in the New Chapel, 1635-43 - Nicholas Thistlethwaite13. The Henrician Partbooks at Peterhouse: Their Genesis, Significance and Implications - Nick Sandon14. A Study in Manuscript Transmission: Error, Amendment, and Divergence in John Taverner's 'Meane Mass' - Roger Bowers15. Recurrent Ideologies: Continental Music and the Henrician Partbooks at Peterhouse - Iain Fenlon16. The Peterhouse Caroline Partbooks: A 'Showcase' Repertoire - John Morehen17. The Durham Connection - Brian Crosby18. The Repertoire of Peterhouse's Chapel: Evidence from the Folio Prayer Books and Organ Book - Scott Metcalfe19. Widening the Cambridge Circle: Further High-Church Musical Connections - Jonathan P. Wainwright20. Performance Practice in Peterhouse's Chapel: Scoring, Voice Types, Number of Singers, and Pitch - Scott Metcalfe21. The Culture of Partleaves: Peterhouse and Beyond - John Milsom22. John Jebb and the Revival of Tudor and Early Stuart Music in the Church of England in the Nineteenth Century - William Jacob23. The Bindings of the Peterhouse Music Manuscripts - David Pearson24. Stitched and Bound: The Binding Structures and the Restoration of the Peterhouse Music Manuscripts - Nicholas Pickwoad25. Watermark Evidence from the Peterhouse Music Manuscripts - Ruby Reid Thompson26. John Cosin and Printing for the Peterhouse Chapel - Scott Mandelbrote27. Richard Crashaw: Poetry and Perversion in Mid-Seventeenth-Century Cambridge - Scott MandelbroteIndex

SCOTT MANDELBROTE is Fellow, Director of Studies in History, and Perne and Ward Librarian at Peterhouse, Cambridge. The Peterhouse partbooks fall under his care and he was responsible for the programme of conservation and research on the manuscripts that led to the publication of this volume. He has also supervised the complete recataloguing of Peterhouse's collections of rare books and manuscripts and the development of online resources in collaboration with the Digital Image Archive of Medieval Music and the Cambridge Digital Library. He is the editorial director of the Newton Project and has written or edited a dozen books on various aspects of early modern intellectual history.

• AcknowledgementsAbbreviationsList of FiguresConcordance of ShelfmarksList of ContributorsIntroduction - Scott Mandelbrote1. Music in the Early Modern English Parish Church - John Craig2. The Pre-Civil War University of Cambridge: Some Musical and Cultural Contexts - Tom Dixon3. Not Entirely Thwarted: Sources for the Evidence of Music-Making in Cambridge University in the Sixteenth and Seventeenth Centuries - David McKitterick4. Iconoclasm, Alienation, and Rebirth: Peterhouse and its Chapel in the Context of the English Reformation - Nicholas Tyacke5. 'A complete mirror of Innovation, Superstition and Oppression': The Theology of Matthew Wren- Stephen Hampton6. The Early Career and Beliefs of John Cosin - Anthony Milton7. The Construction and 'Inward Adorning' of Peterhouse Chapel, 1628-40 - David Scott8. The Power and the Glory: John Cosin and Architectural Interchange between Durham and Cambridge - Adrian Green9. 'A little chapel, but much popery': Peterhouse, William Dowsing and Iconoclasm in the 1640s - John Walter10. The Seventeenth-Century Context of Peterhouse Chapel and Latin Books of Common Prayer - Bryan D. Spinks11. The Musical Establishment at Peterhouse, 1635-43 - Ian Payne12. Peterhouse: The Organ in the New Chapel, 1635-43 - Nicholas Thistlethwaite13. The Henrician Partbooks at Peterhouse: Their Genesis, Significance and Implications - Nick Sandon14. A Study in Manuscript Transmission: Error, Amendment, and Divergence in John Taverner's 'Meane Mass' - Roger Bowers15. Recurrent Ideologies: Continental Music and the Henrician Partbooks at Peterhouse - Iain Fenlon16. The Peterhouse Caroline Partbooks: A 'Showcase' Repertoire - John Morehen17. The Durham Connection - Brian Crosby18. The Repertoire of Peterhouse's Chapel: Evidence from the Folio Prayer Books and Organ Book - Scott Metcalfe19. Widening the Cambridge Circle: Further High-Church Musical Connections - Jonathan P. Wainwright20. Performance Practice in Peterhouse's Chapel: Scoring, Voice Types, Number of Singers, and Pitch - Scott Metcalfe21. The Culture of Partleaves: Peterhouse and Beyond - John Milsom22. John Jebb and the Revival of Tudor and Early Stuart Music in the Church of England in the Nineteenth Century - William Jacob23. The Bindings of the Peterhouse Music Manuscripts - David Pearson24. Stitched and Bound: The Binding Structures and the Restoration of the Peterhouse Music Manuscripts - Nicholas Pickwoad25. Watermark Evidence from the Peterhouse Music Manuscripts - Ruby Reid Thompson26. John Cosin and Printing for the Peterhouse Chapel - Scott Mandelbrote27. Richard Crashaw: Poetry and Perversion in Mid-Seventeenth-Century Cambridge - Scott MandelbroteIndex

SCOTT MANDELBROTE is Fellow, Director of Studies in History, and Perne and Ward Librarian at Peterhouse, Cambridge. The Peterhouse partbooks fall under his care and he was responsible for the programme of conservation and research on the manuscripts that led to the publication of this volume. He has also supervised the complete recataloguing of Peterhouse's collections of rare books and manuscripts and the development of online resources in collaboration with the Digital Image Archive of Medieval Music and the Cambridge Digital Library. He is the editorial director of the Newton Project and has written or edited a dozen books on various aspects of early modern intellectual history.

• AcknowledgementsAbbreviationsList of FiguresConcordance of ShelfmarksList of ContributorsIntroduction - Scott Mandelbrote1. Music in the Early Modern English Parish Church - John Craig2. The Pre-Civil War University of Cambridge: Some Musical and Cultural Contexts - Tom Dixon3. Not Entirely Thwarted: Sources for the Evidence of Music-Making in Cambridge University in the Sixteenth and Seventeenth Centuries - David McKitterick4. Iconoclasm, Alienation, and Rebirth: Peterhouse and its Chapel in the Context of the English Reformation - Nicholas Tyacke5. 'A complete mirror of Innovation, Superstition and Oppression': The Theology of Matthew Wren- Stephen Hampton6. The Early Career and Beliefs of John Cosin - Anthony Milton7. The Construction and 'Inward Adorning' of Peterhouse Chapel, 1628-40 - David Scott8. The Power and the Glory: John Cosin and Architectural Interchange between Durham and Cambridge - Adrian Green9. 'A little chapel, but much popery': Peterhouse, William Dowsing and Iconoclasm in the 1640s - John Walter10. The Seventeenth-Century Context of Peterhouse Chapel and Latin Books of Common Prayer - Bryan D. Spinks11. The Musical Establishment at Peterhouse, 1635-43 - Ian Payne12. Peterhouse: The Organ in the New Chapel, 1635-43 - Nicholas Thistlethwaite13. The Henrician Partbooks at Peterhouse: Their Genesis, Significance and Implications - Nick Sandon14. A Study in Manuscript Transmission: Error, Amendment, and Divergence in John Taverner's 'Meane Mass' - Roger Bowers15. Recurrent Ideologies: Continental Music and the Henrician Partbooks at Peterhouse - Iain Fenlon16. The Peterhouse Caroline Partbooks: A 'Showcase' Repertoire - John Morehen17. The Durham Connection - Brian Crosby18. The Repertoire of Peterhouse's Chapel: Evidence from the Folio Prayer Books and Organ Book - Scott Metcalfe19. Widening the Cambridge Circle: Further High-Church Musical Connections - Jonathan P. Wainwright20. Performance Practice in Peterhouse's Chapel: Scoring, Voice Types, Number of Singers, and Pitch - Scott Metcalfe21. The Culture of Partleaves: Peterhouse and Beyond - John Milsom22. John Jebb and the Revival of Tudor and Early Stuart Music in the Church of England in the Nineteenth Century - William Jacob23. The Bindings of the Peterhouse Music Manuscripts - David Pearson24. Stitched and Bound: The Binding Structures and the Restoration of the Peterhouse Music Manuscripts - Nicholas Pickwoad25. Watermark Evidence from the Peterhouse Music Manuscripts - Ruby Reid Thompson26. John Cosin and Printing for the Peterhouse Chapel - Scott Mandelbrote27. Richard Crashaw: Poetry and Perversion in Mid-Seventeenth-Century Cambridge - Scott MandelbroteIndex