Memory Art in the Contemporary World

Andreas Huyssen is the Villard Professor Emeritus of German and Comparative Literature at Columbia University, where he served as founding director of the Center for Comparative Literature and Society. He is also a founding editor of New German Critique (1974-). His many publications include After the Great Divide (1986), Present Pasts (2003), William Kentridge, Nalini Malani: The Shadowplay as Medium of Memory (2013) and Miniature Metropolis: Literature in an Age of Photography and Film (2015).

‘The art of memory allows us to ask a crucial question: what can we do to prevent these violent, traumatic events from happening again? Andreas Huyssen writes an essential book to imagine alternatives.’ – Andrea Giunta, ReVista: Harvard Review of Latin America

• 1. Disappearances/Spaces of Violence: Kuitca’s Painting and Salcedo’s Sculpture; 2. Installation as Form: Sundaram’s Memorial and Salcedo’s Casa Viuda and Untitled; 3. Installation in Urban Space: Salcedo, Noviembre 6&7, Kentridge, Triumphs and Laments; 4. The Shadow Play as Medium: Nalini Malani and William Kentridge; 5. Traveling Trauma Tropes: Salcedo Atrabiliarios, Sundaram, 12 Bed Ward/ Trash/The Ascension of Marian Hussain; 6. Re-coding Museum Space: Salcedo, Shibboleth and Sundaram, History Project; 7. Memory Museums: Santiago de Chile’s Museo de la Memoria y los Derechos Humanos and Bogotá’s Fragmentos; Coda: Space/Time: Guzmán, La Nostalgia de la luz and Kentridge The Refusal of Time