Russian Avant-Garde and Radical Modernism

An Introductory Reader

AvDennis G. Ioffe,Frederick White

Inbunden, Engelska, 2012

Del i serien Cultural Syllabus

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Beskrivning

The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde.

Produktinformation

Utgivningsdatum:2012-10-18
Mått:155 x 234 x 31 mm
Vikt:892 g
Format:Inbunden
Språk:Engelska
Serie:Cultural Syllabus
Antal sidor:488
Förlag:Academic Studies Press
ISBN:9781936235292

Utforska kategorier

Kulturvetenskap inom Samhälle och politik
Europas historia inom Historia och arkeologi
Konstböcker inom Kultur

Mer om författaren

Frederick White holds a PhD from the University of Southern California. Presently, he is the Associate Dean of the College of Humanities and Social Sciences at Utah Valley University. He is one of the leading specialists on the Russian writer Leonid Andreev and has published in the areas of Russian Modernism, psychology and literature, pseudoscience in the Russian fin de siècle and the economics of culture.

Recensioner i media

“A remarkable volume, The Russian Avant-Garde and Radical Modernism brings together the most significant movements and figures in Russian experimental art, cinema, and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field. The result is a vibrant introduction to Russian aesthetic thought of the last century, as well as to cutting-edge assessments of its meaning. A volume like this has long been overdue. It will be enormously useful to students of Russian culture in the modern era as well as anyone seeking a better understanding of modernism in general—an artistic movement to which Russian artists made particularly brilliant contributions.”