HELENE MEYERS is professor of English and McManis University Chair at Southwestern University in Georgetown, Texas. She is the author of Femicidal Fears: Narratives of the Female Gothic Experience, Reading Michael Chabon, and Identity Papers: Contemporary Narratives of American Jewishness.

"Behind this eminently readable survey of American Jewish film is a very smart intervention. Meyers broadens the well-worn examination of Jews in film to include not just Jewish representations or Jews in the production process. She makes a solid case for adding the Jewish audience as part of the equation for what makes Jewish film Jewish." - Steven Carr (author of Hollywood and Anti-Semitism: A Cultural History up to World War II) "A significant and lively testament to the vitality of American Jewish cinema and its relationship to Jewish life in America." - David Desser (co-author of American Jewish Filmmakers) "An engaging, lively, and important contribution to Jewish film studies." - Elyce Rae Helford (author of What Price Hollywood?: Gender and Sex in the Films of George Cukor) "Jewish Literary Links" June 3 round-up (ErikaDreifus.com) "Forthcoming Jewish Books for Fall 2021" (ErikaDreifus.com) "Southwestern English Professor Publishes Book on American Jewish Cinematic Tradition: McManis University Chair Helene Meyers is the author of Movie-Made Jews" (Southwestern.edu) "Meyers makes the important observation that Jewish film festivals represent and make communities of Jews." (Jewish Herald-Voice) "A must-read for any Jewish cinephiles."  (Hey Alma) What Makes a Movie Jewish? Alma chats with author and professor Helene Meyers about the profound impact Jewish movies can have on our identities (Hey Alma) "Those with a serious interest in film will definitely want to add this book to their shelves. Other readers may also find themselves intrigued to learn more about their favorite films, or enjoy reading about films with which they are not familiar." (The Reporter) New Books: Movie-Made Jews: An American Tradition by Helene Meyers (Jewish Book World) "Romeo Juliet in Yiddish" an excerpt of Movie-Made Jews by Helene Meyers (Lilith) "Well-researched and presents some intriguing ideas for thought and discussion."  (The American Israelite) "Meyer’s research shows that accurate cultural representation is diverse representation, which challenges stereotypes, while providing viewers insight into Jewish lives or allowing viewers to identify with the Jewish characters they see on their television screens."  (The Phi Beta Kappa Society) Episode 21: Hollywood, Movies, and American Jews: interview with Helene Meyers (The Revealer) "Too Jewish for Hollywood? An excerpt from the book Movie-Made Jews: An American Tradition" (The Revealer) New Books Network: New Books in Jewish Studies interview with Helene Meyers (New Books Network: New Books in Jewish Studies) "By focusing on very clear, specific, and discrete thematic groupings, Meyers has written a book that speaks volumes in a small package. Through the choices she made, the way she arranged them, and the fascinating analysis and commentary she layers on top, Meyers has produced a book that is a must-have for scholars of film, Jewish studies, cultural studies, and a range of other disciplines. She has created a roadmap text that anyone could use to construct a new course on Jewish American film or revamp an existing course. Jews may make films and films may make Jews, but Meyers has made both into something special."- Jenny Caplan (Journal of Religion and Film)

• 1 Introduction: Making Jews Onscreen and Off2 Looking at Antisemites and JewsGentleman’s Agreement (1947)School Ties (1992)The Believer (2001)Protocols of Zion (2005)3 Looking at the Shoah from a DistanceThe Pawnbroker (1964)Enemies, A Love Story (1989)Crimes and Misdemeanors (1989)Barton Fink (1991) and A Serious Man (2009)4 Focusing on Assimilation and Its DiscontentsThe Way We Were (1973)Next Stop, Greenwich Village (1976)Crossing Delancey (1988)Avalon (1990) and Liberty Heights (1999)5 Assertively Jewish OnscreenWhatever Works (2009)Fading Gigolo (2013)Romeo and Juliet in Yiddish (2010)Keeping Up with the Steins (2006)Wish I Was Here (2014)6 Queering the Jewish GazeI Now Pronounce You Chuck and Larry (2007) and Kissing Jessica Stein (2001)The Times of Harvey Milk (1984) and Milk (2008)Treyf (1998)Trembling Before G-d (2001)Hineini: Coming Out in a Jewish High School (2005)7 Cinematic AlliancesHeart of Stone (2009)Crime after Crime (2011)Zebrahead (1992)Arranged (2007)David (2011)8 Epilogue: Cinematic Continuity and Change through a Feminist Lens93Queen (2018)RBG (2018)AcknowledgmentsFilmographyNotesSelected BibliographyIndex

HELENE MEYERS is professor of English and McManis University Chair at Southwestern University in Georgetown, Texas. She is the author of Femicidal Fears: Narratives of the Female Gothic Experience, Reading Michael Chabon, and Identity Papers: Contemporary Narratives of American Jewishness.

"Behind this eminently readable survey of American Jewish film is a very smart intervention. Meyers broadens the well-worn examination of Jews in film to include not just Jewish representations or Jews in the production process. She makes a solid case for adding the Jewish audience as part of the equation for what makes Jewish film Jewish." - Steven Carr (author of Hollywood and Anti-Semitism: A Cultural History up to World War II) "A significant and lively testament to the vitality of American Jewish cinema and its relationship to Jewish life in America." - David Desser (co-author of American Jewish Filmmakers) "An engaging, lively, and important contribution to Jewish film studies." - Elyce Rae Helford (author of What Price Hollywood?: Gender and Sex in the Films of George Cukor) "Jewish Literary Links" June 3 round-up (ErikaDreifus.com) "Forthcoming Jewish Books for Fall 2021" (ErikaDreifus.com) "Southwestern English Professor Publishes Book on American Jewish Cinematic Tradition: McManis University Chair Helene Meyers is the author of Movie-Made Jews" (Southwestern.edu) "Meyers makes the important observation that Jewish film festivals represent and make communities of Jews." (Jewish Herald-Voice) "A must-read for any Jewish cinephiles."  (Hey Alma) What Makes a Movie Jewish? Alma chats with author and professor Helene Meyers about the profound impact Jewish movies can have on our identities (Hey Alma) "Those with a serious interest in film will definitely want to add this book to their shelves. Other readers may also find themselves intrigued to learn more about their favorite films, or enjoy reading about films with which they are not familiar." (The Reporter) New Books: Movie-Made Jews: An American Tradition by Helene Meyers (Jewish Book World) "Romeo Juliet in Yiddish" an excerpt of Movie-Made Jews by Helene Meyers (Lilith) "Well-researched and presents some intriguing ideas for thought and discussion."  (The American Israelite) "Meyer’s research shows that accurate cultural representation is diverse representation, which challenges stereotypes, while providing viewers insight into Jewish lives or allowing viewers to identify with the Jewish characters they see on their television screens."  (The Phi Beta Kappa Society) Episode 21: Hollywood, Movies, and American Jews: interview with Helene Meyers (The Revealer) "Too Jewish for Hollywood? An excerpt from the book Movie-Made Jews: An American Tradition" (The Revealer) New Books Network: New Books in Jewish Studies interview with Helene Meyers (New Books Network: New Books in Jewish Studies) "By focusing on very clear, specific, and discrete thematic groupings, Meyers has written a book that speaks volumes in a small package. Through the choices she made, the way she arranged them, and the fascinating analysis and commentary she layers on top, Meyers has produced a book that is a must-have for scholars of film, Jewish studies, cultural studies, and a range of other disciplines. She has created a roadmap text that anyone could use to construct a new course on Jewish American film or revamp an existing course. Jews may make films and films may make Jews, but Meyers has made both into something special."- Jenny Caplan (Journal of Religion and Film)

• 1 Introduction: Making Jews Onscreen and Off2 Looking at Antisemites and JewsGentleman’s Agreement (1947)School Ties (1992)The Believer (2001)Protocols of Zion (2005)3 Looking at the Shoah from a DistanceThe Pawnbroker (1964)Enemies, A Love Story (1989)Crimes and Misdemeanors (1989)Barton Fink (1991) and A Serious Man (2009)4 Focusing on Assimilation and Its DiscontentsThe Way We Were (1973)Next Stop, Greenwich Village (1976)Crossing Delancey (1988)Avalon (1990) and Liberty Heights (1999)5 Assertively Jewish OnscreenWhatever Works (2009)Fading Gigolo (2013)Romeo and Juliet in Yiddish (2010)Keeping Up with the Steins (2006)Wish I Was Here (2014)6 Queering the Jewish GazeI Now Pronounce You Chuck and Larry (2007) and Kissing Jessica Stein (2001)The Times of Harvey Milk (1984) and Milk (2008)Treyf (1998)Trembling Before G-d (2001)Hineini: Coming Out in a Jewish High School (2005)7 Cinematic AlliancesHeart of Stone (2009)Crime after Crime (2011)Zebrahead (1992)Arranged (2007)David (2011)8 Epilogue: Cinematic Continuity and Change through a Feminist Lens93Queen (2018)RBG (2018)AcknowledgmentsFilmographyNotesSelected BibliographyIndex