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Anna Gasperini - Nineteenth Century Popular Fiction, Medicine and Anatomy, Inbunden

Inbunden, Engelska, 2019

Nineteenth Century Popular Fiction, Medicine and Anatomy

The Victorian Penny Blood and the 1832 Anatomy Act

Av Anna Gasperini

Del i serien Palgrave Studies in Literature, Science and Medicine

1008 kr

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Beskrivning
This book investigates the relationship between the fascinating and misunderstood penny blood, early Victorian popular fiction for the working class, and Victorian anatomy. In 1832, the controversial Anatomy Act sanctioned the use of the body of the pauper for teaching dissection to medical students, deeply affecting the Victorian poor. The ensuing decade, such famous penny bloods as Manuscripts from the Diary of a Physician, Varney the Vampyre, Sweeney Todd, and The Mysteries of London addressed issues of medical ethics, social power, and bodily agency. Challenging traditional views of penny bloods as a lowlier, un-readable genre, this book rereads these four narratives in the light of the 1832 Anatomy Act, putting them in dialogue with different popular artistic forms and literary genres, as well as with the spaces of death and dissection in Victorian London, exploring their role as channels for circulating discourses about anatomy and ethics among the Victorian poor.
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Anna Gasperini received her PhD from the National University of Ireland Galway. She specialises in Victorian popular fiction, Victorian medical history, and spatial and discourse theory. She is the current Membership Secretary of the UK-based Victorian Popular Fiction Association (VPFA).

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“In addition to being a fascinating read, it is an extremely welcome stepping-stone in the scholarly analysis of penny bloods by contributing to a better understanding of their place in early-Victorian culture and their legitimisation as a key literary phenomenon within a historical, social and artistic context.” (Manon Labrande, The Wilkie Collins Journal, wilkiecollinssociety.org, Vol. 19, 2021)“Gasperini frames elaborate connections between the depiction of medical men, graveyard and subterranean geospaces, and the 1832 Anatomy Act in her penny blood ‘specimens’ to demonstrate that ‘the massive body of the penny blood genre can be analysed, with the correct tools, as a literary phenomenon inscribed within a historical, social, and artistic context much like other genres’ … . Gasperini rightly positions us to recognize the penny blood as an original site of such discourse and a good place from which to start.” (Rae X. Yan, Victorian Studies, Vol. 63 (1), 2020)

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