Eric S. Mallin is Associate Professor at The University of Texas at Austin, USA. He is the author of Godless Shakespeare (2007) and Inscribing the Time: Shakespeare and the End of Elizabethan England (1996). He has received several teaching awards including the President's Associates' and the Texs Exes' honors. He specializes in Shakespeare, cinema, and the nexus of sexuality and religion in the English Renaissance.

• 1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation.- 2. Out of Joint: Memento as Contemporary Hamlet.- 3. Titanic’s Doomed Lovers as Shakespearean Avatars.- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest.- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal.- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge.

Eric S. Mallin is Associate Professor at The University of Texas at Austin, USA. He is the author of Godless Shakespeare (2007) and Inscribing the Time: Shakespeare and the End of Elizabethan England (1996). He has received several teaching awards including the President's Associates' and the Texs Exes' honors. He specializes in Shakespeare, cinema, and the nexus of sexuality and religion in the English Renaissance.

• 1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation.- 2. Out of Joint: Memento as Contemporary Hamlet.- 3. Titanic’s Doomed Lovers as Shakespearean Avatars.- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest.- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal.- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge.

Eric S. Mallin is Associate Professor at The University of Texas at Austin, USA. He is the author of Godless Shakespeare (2007) and Inscribing the Time: Shakespeare and the End of Elizabethan England (1996). He has received several teaching awards including the President's Associates' and the Texs Exes' honors. He specializes in Shakespeare, cinema, and the nexus of sexuality and religion in the English Renaissance.

• 1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation.- 2. Out of Joint: Memento as Contemporary Hamlet.- 3. Titanic’s Doomed Lovers as Shakespearean Avatars.- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest.- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal.- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge.