Reproducing Shakespeare - Böcker
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31 produkter
31 produkter
616 kr
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This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
616 kr
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This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
1 102 kr
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This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.
616 kr
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Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
1 102 kr
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Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
1 224 kr
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Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
1 224 kr
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Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Reenacting Shakespeare in the Shakespeare Aftermath
The Intermedial Turn and Turn to Embodiment
Inbunden, Engelska, 2019
1 102 kr
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In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices.
1 041 kr
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Shaul Bassi is AssociateProfessor of English and Postcolonial Literature at Ca'Foscari University ofVenice, Italy. His publications include Visionsof Venice in Shakespeare, with Laura Tosi, and Experiences of Freedom in Postcolonial Literatures and Cultures, with Annalisa Oboe.
659 kr
Skickas inom 11-20 vardagar
Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
616 kr
Skickas inom 10-15 vardagar
This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
616 kr
Skickas inom 10-15 vardagar
This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
798 kr
Skickas inom 10-15 vardagar
This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.
616 kr
Skickas inom 10-15 vardagar
Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web.
616 kr
Skickas inom 10-15 vardagar
Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
1 175 kr
Skickas inom 5-8 vardagar
Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
1 224 kr
Skickas inom 10-15 vardagar
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
992 kr
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This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present.
1 050 kr
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Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films.
1 050 kr
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Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films.
1 165 kr
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Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well as Coriolanus and the political thriller Homeland.
1 165 kr
Skickas inom 10-15 vardagar
Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well as Coriolanus and the political thriller Homeland.
1 281 kr
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This book delves into the aesthetics and processes by which Latinx writers and creatives artfully adapt and appropriate Shakespeare for young readers.
1 397 kr
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This book is about Shakespeare’s role in sustaining the antiblack paradigm of modernity. This work re-reads both Shakespearean texts and performances from the 16th century to the present to argue that American and English societies have deployed Shakespeare for four hundred years as a mechanism to construct and reinforce paradigmatic antiblackness. Framed within the author’s experiences as a Black scholar, actor, and director of Shakespeare and using both contemporary Critical Race Theory (CRT), as well as Pre-Modern Critical Race Studies (PCRS), this book uses civil society’s engagement with and performance of Shakespeare in various times and places to reveal the continuum of antiblackness that predates chattel slavery in America and contributes to antiblack world-making across oceans and centuries.
1 843 kr
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In April of 2021, a small theatre in Philadelphia took a big risk: The Wilma premiered a new play called Fat Ham by a then-almost-unknown playwright, James Ijames. Fat Ham reconfigures the story of Hamlet through the lens of a family barbeque in the American South. In Ijames’ play, Shakespeare’s protagonist becomes a fat, queer, Black man named Juicy. Juicy’s mother has just married his uncle in the wake of his father’s murder and Juicy himself is still dealing with grief about these events and the generational trauma they amplify as he strives for some thread of hope. The play made big waves; Ijames won the 2022 Pulitzer Prize for Drama, and it was nominated for five Tony awards in 2023.Fat Ham represents a major intervention in the ways we discuss storytelling, adaptation, and canon as it reclaims a major piece of cultural capital for several intersections of marginalized voices. This collection of essay offers perspectives on the play’s early life as well as creates a major theoretical framework for future discussions of Fat Ham in scholarship.The essays featured in Revenge is Mad Hard: Fat Ham and the Question of Cultural Reclamation address the intersecting themes of Adaptation, Performance, Identity, and Southerness. Each of these sections work to more fully specify and develop the themes of Fat Ham in the greater sphere of literary and performance studies.
- Nyhet
1 817 kr
Kommande
This book examines Shakespeare’s afterlives in European cinema. It offers a series of comparative studies analysing Shakespeare films in light of common myths perceived to constitute European identity. With the Second World War as a starting point, the book focuses on how Shakespeare is mobilized in films that address the moments in recent European history when those myths came under most intense scrutiny: the Holocaust, the sexual revolution, the post-Fordist transition to a consumerist society, the fragmentation of the Yugoslav Federation, the European debt crisis, and the contemporary increase in xenophobic attitudes giving rise to the resurgence of the far right.From forgotten adaptations such as Jiří Weiss’s Romeo, Juliet and Darkness, to canonical films like Ingmar Bergman’s Persona, the book examines European filmic Shakespeare as a transnational and intermedial category by considering not just adaptations but also films that allude to, reference or evoke the playwright. As such, it constitutes the first sustained critical account of Shakespeare’s place in European cinema.
1 281 kr
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While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network.
1 397 kr
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This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
1 281 kr
Skickas inom 10-15 vardagar
While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network.
1 397 kr
Skickas inom 10-15 vardagar
This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.