Karen McNally is Senior Lecturer in Film and Television Studies at London Metropolitan University, UK and has published on stardom, gender and race in Hollywood Cinema.Jane Marcellus is Professor of Media History and Cultural Studies at Middle Tennessee State University, USA and has published on feminism and media history, with a focus on the representation of employed women.Teresa Forde is Senior Lecturer in Film and Media at the University of Derby, UK and has published on gender, science fiction, soundtracks and memory. Kirsty Fairclough is Associate Dean: Research and Innovation at the University of Salford, UK and has published on race, gender, popular music and celebrity.

• Chapter 1 Jane Marcellus, Introduction: Where the Truth Still Lies.-Mad Men’s Status: Television, Reputation, Fandom.- Chapter 2 Gary R. Edgerton, Mad Men’s Legacy in the Quality Television Tradition.- Chapter 3 Andrée E. C. Betancourt, Mad Men, Maddicts, and Recapturing the Carousel: From Kodak Moments to Selfies.- Chapter 4 Trisha Dunleavy, Mad Men and Complex Seriality.- Gender and Race: The Complex Management of Power.- Chapter 5 Rod Carveth, The Depiction of the Civil Rights Movement on Mad Men.- Chapter 6 Mimi White, Mad Men, Women, and the Lure of Feminism.- Chapter 7 Maryn C. Wilkinson, The Performativity of Labour and Femininity on Mad Men.- Chapter 8 Tracy Lucht and Jane Marcellus, Mad Men, Corporate Culture, and Violence Against Women.- Mad Men’s Intermediality: Film, Music, Poetics.- Chapter 9 Emily Hoffman, Don Draper and the Enduring Appeal of Antonioni’s La Notte.- Chapter 10 Zak Roman, Mad Men’s Midcentury Modern Times.- Chapter 11 Rachel Donegan, Delicious Ambiguities: Mad Men’s Use of The Beatles, Nancy Sinatra, and Judy Collins in Seasons Five and Six.- Chapter 12 Honora Kenney, Using Bakhtin’s ‘Third Ear’ to Hear Mad Men’s Adspeak in the Everyday.- Chapter 13 Aaron Herschel Shapiro, Mad Men and the Staging of Literature: Ken Cosgrove and His Problems.- Endings and Legacies: The Final Season.- Chapter 14 Marjolaine Boutet, Mad Men’s Finale and the Making of History.- Chapter 15 Kristina Graour, The Dismantling of Narrative ‘Machinery’ in Mad Men’s Finale: Ending an Era.- Chapter 16 Marisa Carroll, What Jungian Psychology Can Tell Us About Don Draper’s Unexpected Embrace of Leonard in Mad Men’s Finale.- Chapter 17 Karen McNally and Teresa Forde, Afterword: Reading Mad Men in the Era of Trump

Karen McNally is Senior Lecturer in Film and Television Studies at London Metropolitan University, UK and has published on stardom, gender and race in Hollywood Cinema.Jane Marcellus is Professor of Media History and Cultural Studies at Middle Tennessee State University, USA and has published on feminism and media history, with a focus on the representation of employed women.Teresa Forde is Senior Lecturer in Film and Media at the University of Derby, UK and has published on gender, science fiction, soundtracks and memory. Kirsty Fairclough is Associate Dean: Research and Innovation at the University of Salford, UK and has published on race, gender, popular music and celebrity.

• Chapter 1 Jane Marcellus, Introduction: Where the Truth Still Lies.-Mad Men’s Status: Television, Reputation, Fandom.- Chapter 2 Gary R. Edgerton, Mad Men’s Legacy in the Quality Television Tradition.- Chapter 3 Andrée E. C. Betancourt, Mad Men, Maddicts, and Recapturing the Carousel: From Kodak Moments to Selfies.- Chapter 4 Trisha Dunleavy, Mad Men and Complex Seriality.- Gender and Race: The Complex Management of Power.- Chapter 5 Rod Carveth, The Depiction of the Civil Rights Movement on Mad Men.- Chapter 6 Mimi White, Mad Men, Women, and the Lure of Feminism.- Chapter 7 Maryn C. Wilkinson, The Performativity of Labour and Femininity on Mad Men.- Chapter 8 Tracy Lucht and Jane Marcellus, Mad Men, Corporate Culture, and Violence Against Women.- Mad Men’s Intermediality: Film, Music, Poetics.- Chapter 9 Emily Hoffman, Don Draper and the Enduring Appeal of Antonioni’s La Notte.- Chapter 10 Zak Roman, Mad Men’s Midcentury Modern Times.- Chapter 11 Rachel Donegan, Delicious Ambiguities: Mad Men’s Use of The Beatles, Nancy Sinatra, and Judy Collins in Seasons Five and Six.- Chapter 12 Honora Kenney, Using Bakhtin’s ‘Third Ear’ to Hear Mad Men’s Adspeak in the Everyday.- Chapter 13 Aaron Herschel Shapiro, Mad Men and the Staging of Literature: Ken Cosgrove and His Problems.- Endings and Legacies: The Final Season.- Chapter 14 Marjolaine Boutet, Mad Men’s Finale and the Making of History.- Chapter 15 Kristina Graour, The Dismantling of Narrative ‘Machinery’ in Mad Men’s Finale: Ending an Era.- Chapter 16 Marisa Carroll, What Jungian Psychology Can Tell Us About Don Draper’s Unexpected Embrace of Leonard in Mad Men’s Finale.- Chapter 17 Karen McNally and Teresa Forde, Afterword: Reading Mad Men in the Era of Trump

Karen McNally is Senior Lecturer in Film and Television Studies at London Metropolitan University, UK and has published on stardom, gender and race in Hollywood Cinema.Jane Marcellus is Professor of Media History and Cultural Studies at Middle Tennessee State University, USA and has published on feminism and media history, with a focus on the representation of employed women.Teresa Forde is Senior Lecturer in Film and Media at the University of Derby, UK and has published on gender, science fiction, soundtracks and memory. Kirsty Fairclough is Associate Dean: Research and Innovation at the University of Salford, UK and has published on race, gender, popular music and celebrity.

• Chapter 1 Jane Marcellus, Introduction: Where the Truth Still Lies.-Mad Men’s Status: Television, Reputation, Fandom.- Chapter 2 Gary R. Edgerton, Mad Men’s Legacy in the Quality Television Tradition.- Chapter 3 Andrée E. C. Betancourt, Mad Men, Maddicts, and Recapturing the Carousel: From Kodak Moments to Selfies.- Chapter 4 Trisha Dunleavy, Mad Men and Complex Seriality.- Gender and Race: The Complex Management of Power.- Chapter 5 Rod Carveth, The Depiction of the Civil Rights Movement on Mad Men.- Chapter 6 Mimi White, Mad Men, Women, and the Lure of Feminism.- Chapter 7 Maryn C. Wilkinson, The Performativity of Labour and Femininity on Mad Men.- Chapter 8 Tracy Lucht and Jane Marcellus, Mad Men, Corporate Culture, and Violence Against Women.- Mad Men’s Intermediality: Film, Music, Poetics.- Chapter 9 Emily Hoffman, Don Draper and the Enduring Appeal of Antonioni’s La Notte.- Chapter 10 Zak Roman, Mad Men’s Midcentury Modern Times.- Chapter 11 Rachel Donegan, Delicious Ambiguities: Mad Men’s Use of The Beatles, Nancy Sinatra, and Judy Collins in Seasons Five and Six.- Chapter 12 Honora Kenney, Using Bakhtin’s ‘Third Ear’ to Hear Mad Men’s Adspeak in the Everyday.- Chapter 13 Aaron Herschel Shapiro, Mad Men and the Staging of Literature: Ken Cosgrove and His Problems.- Endings and Legacies: The Final Season.- Chapter 14 Marjolaine Boutet, Mad Men’s Finale and the Making of History.- Chapter 15 Kristina Graour, The Dismantling of Narrative ‘Machinery’ in Mad Men’s Finale: Ending an Era.- Chapter 16 Marisa Carroll, What Jungian Psychology Can Tell Us About Don Draper’s Unexpected Embrace of Leonard in Mad Men’s Finale.- Chapter 17 Karen McNally and Teresa Forde, Afterword: Reading Mad Men in the Era of Trump