Based on interviews and archival research, this book explores how media is implicated in Black women’s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande''s analysis traverses tensions between digital culture’s communal, counter-cultural and commercial qualities.

Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Based on interviews and archival research, this book explores how media is implicated in Black women’s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande''s analysis traverses tensions between digital culture’s communal, counter-cultural and commercial qualities.

Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Based on interviews and archival research, this book explores how media is implicated in Black women’s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande''s analysis traverses tensions between digital culture’s communal, counter-cultural and commercial qualities.

Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.