María Marcos Cobaleda is Assistant Professor at the University of Malaga, Spain. She has previously held positions at EHESS, Paris, France, and at the Instituto de Estudos Medievais,  Universidade Nova de Lisboa, Portugal. Her research focuses on the application of geographic information systems (GIS) to Islamic art history.

• Part I. Al-Andalus Beyond al-Andalus: The Maghreb and the Mashriq.- 1. From the Islamic West to Cairo: Malikism, Ibn Tūmart, al-Ghazālī and al-Qāḍī ‘Iyāḍ’s Death.- 2. The “Bestsellers” of al-Andalus.- 3. Spolia and Classical Revivals in Legitimacy Discourses: From Cordoba to the Mamluk Mosques of Cairo.- Part II. Andalusi Legacy in Medieval Christian Art.- 4. Visual Traits of Otherness: Figurative Resources Used in the Depiction of Muslims in Mediterranean Romanesque Sculpture.- 5. Islamicate Goods in Gothic Halls: The Nachleben of Palma de Mallorca’s Islamic Past.- 6. Granada and Castile in the Shared Context of the Islamic Art in the Late Medieval Mediterranean.- Part III. Andalusi Cultural Legacy in the Iberian Societies.- 7. In the Shadow of Toledo, Seville, and Granada: On the Historic Significance of Murcia for the Transmission of Islamic Knowledge in the Twelfth and Thirteenth Centuries.- 8. Islamic Legacy in Medieval Iberian Societies: Building Rules.- 9. From aḥbās to habices: Continuity and Transformation of Pious Endowments after the Castilian Conquest of Nasrid Granada.- Part IV. Circulation of Cultural Goods in the Medieval Mediterranean.- 10. Siculo-Arabic, Andalusi and Fatimid Ivory Works: Iconographic Transfers and Visual Propaganda.- 11. Ornamental Transfers in Textile Production in Almohad and Nasrid Periods.- 12. Art and Science in al-Andalus and the Late Medieval Mediterranean Cultures: Almohad, Nasrid and Ayyubid Astrolabes in their Context.- Part V. Final Remarks.- 13. Final Remarks: ArtMedGIS Project: Artistic Exchanges between East and West in the Late Medieval Mediterranean.

María Marcos Cobaleda is Assistant Professor at the University of Malaga, Spain. She has previously held positions at EHESS, Paris, France, and at the Instituto de Estudos Medievais,  Universidade Nova de Lisboa, Portugal. Her research focuses on the application of geographic information systems (GIS) to Islamic art history.

• Part I. Al-Andalus Beyond al-Andalus: The Maghreb and the Mashriq.- 1. From the Islamic West to Cairo: Malikism, Ibn Tūmart, al-Ghazālī and al-Qāḍī ‘Iyāḍ’s Death.- 2. The “Bestsellers” of al-Andalus.- 3. Spolia and Classical Revivals in Legitimacy Discourses: From Cordoba to the Mamluk Mosques of Cairo.- Part II. Andalusi Legacy in Medieval Christian Art.- 4. Visual Traits of Otherness: Figurative Resources Used in the Depiction of Muslims in Mediterranean Romanesque Sculpture.- 5. Islamicate Goods in Gothic Halls: The Nachleben of Palma de Mallorca’s Islamic Past.- 6. Granada and Castile in the Shared Context of the Islamic Art in the Late Medieval Mediterranean.- Part III. Andalusi Cultural Legacy in the Iberian Societies.- 7. In the Shadow of Toledo, Seville, and Granada: On the Historic Significance of Murcia for the Transmission of Islamic Knowledge in the Twelfth and Thirteenth Centuries.- 8. Islamic Legacy in Medieval Iberian Societies: Building Rules.- 9. From aḥbās to habices: Continuity and Transformation of Pious Endowments after the Castilian Conquest of Nasrid Granada.- Part IV. Circulation of Cultural Goods in the Medieval Mediterranean.- 10. Siculo-Arabic, Andalusi and Fatimid Ivory Works: Iconographic Transfers and Visual Propaganda.- 11. Ornamental Transfers in Textile Production in Almohad and Nasrid Periods.- 12. Art and Science in al-Andalus and the Late Medieval Mediterranean Cultures: Almohad, Nasrid and Ayyubid Astrolabes in their Context.- Part V. Final Remarks.- 13. Final Remarks: ArtMedGIS Project: Artistic Exchanges between East and West in the Late Medieval Mediterranean.

María Marcos Cobaleda is Assistant Professor at the University of Malaga, Spain. She has previously held positions at EHESS, Paris, France, and at the Instituto de Estudos Medievais,  Universidade Nova de Lisboa, Portugal. Her research focuses on the application of geographic information systems (GIS) to Islamic art history.

• Part I. Al-Andalus Beyond al-Andalus: The Maghreb and the Mashriq.- 1. From the Islamic West to Cairo: Malikism, Ibn Tūmart, al-Ghazālī and al-Qāḍī ‘Iyāḍ’s Death.- 2. The “Bestsellers” of al-Andalus.- 3. Spolia and Classical Revivals in Legitimacy Discourses: From Cordoba to the Mamluk Mosques of Cairo.- Part II. Andalusi Legacy in Medieval Christian Art.- 4. Visual Traits of Otherness: Figurative Resources Used in the Depiction of Muslims in Mediterranean Romanesque Sculpture.- 5. Islamicate Goods in Gothic Halls: The Nachleben of Palma de Mallorca’s Islamic Past.- 6. Granada and Castile in the Shared Context of the Islamic Art in the Late Medieval Mediterranean.- Part III. Andalusi Cultural Legacy in the Iberian Societies.- 7. In the Shadow of Toledo, Seville, and Granada: On the Historic Significance of Murcia for the Transmission of Islamic Knowledge in the Twelfth and Thirteenth Centuries.- 8. Islamic Legacy in Medieval Iberian Societies: Building Rules.- 9. From aḥbās to habices: Continuity and Transformation of Pious Endowments after the Castilian Conquest of Nasrid Granada.- Part IV. Circulation of Cultural Goods in the Medieval Mediterranean.- 10. Siculo-Arabic, Andalusi and Fatimid Ivory Works: Iconographic Transfers and Visual Propaganda.- 11. Ornamental Transfers in Textile Production in Almohad and Nasrid Periods.- 12. Art and Science in al-Andalus and the Late Medieval Mediterranean Cultures: Almohad, Nasrid and Ayyubid Astrolabes in their Context.- Part V. Final Remarks.- 13. Final Remarks: ArtMedGIS Project: Artistic Exchanges between East and West in the Late Medieval Mediterranean.