When Music Takes Over in Film

Anna K. Windisch is a film scholar who gained her PhD in Theatre, Film and Media Studies at the University of Vienna, Austria, and completed a postdoctoral position at the Austrian Academy of Sciences.Claus Tieber is Principal Investigator of the research project “Screenwriting musical numbers” in the Department of Theater, Film and Media Studies at the University of Vienna, Austria.Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK, where he was Executive Dean of the Faculty of Arts and Human Sciences 2010-2015.

• 1. Introduction.- Part I. What the Musical Moment Can Do - Theoretical Approaches.- 2. The Musical Moment, Counter-Memory, Oblivion.- 3. The Crystal Song in four American Films from 2016 to 2018.- 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016).- 5. Experiencing Romance in Musical Moments.- Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema.- 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895.- 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst?.- 8. A Waltz Dream: Musical Moments in Silent Operetta Films.- 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible.- Part III. Musical Dis/Placements – Musical Moments in Global Cinema.- 10. Musical Numbers in Bollywood Cinema's Homeland and Diaspora.- 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s.- 12. De-Gendering Genre: Mayuzumi Toshirō's Avant-Garde Music in Popular Cinema.-13. Music in Nollywood Films: Schools of Thought and Performance Contexts.- 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001).- 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010).