Masculinity, Intersectionality and Identity

Doug Risner is Professor of Dance and Distinguished Faculty Fellow, Wayne State University, and conducts research on the sociology of dance education, gender in dance, and humanizing dance pedagogies. His books include Stigma & Perseverance in the Lives of Boys Who Dance (2009); Hybrid Lives of Teaching Artists in Dance and Theatre Arts (2014); Dance & Gender: An Evidence-Based Approach (2017 ); and Ethical Dilemmas in Dance Education (2020) which in 2021 received the Susan W. Stinson Book Award for Dance Education and the NDEO | Ruth Lovell Murray Book Award.Beccy Watson is Reader in the Carnegie School of Sport, Leeds Beckett University, UK. Her research focuses on feminist/critical epistemologies, social inequalities and intersections across leisure, sport and dance contexts. She is a co-editor of the Palgrave Handbook of Feminism and Sport, Leisure and Physical Recreation (2018).

“Masculinity, Intersectionality and Identity: Why Boys (Don’t) Dance is a compelling lookinto the lives of male dancers and the challenges they face throughout their training and careers. This book is an essential choice for any dance educator. … Although I am a dance professional and can apply this information directly to my practice, I would also highly recommend this book to anyone who has a dancing boy in their life.” (Christine Mazeppa, Journal of Dance Education, Vol. 23 (4), 2023)

• Chapter 1. Introduction.- Chapter 2. Understanding the Community College Male Dance Experience.- Chapter 3. Generalist Elementary Male Teachers Advocating for Dance and Male Dancers.- Chapter 4. Listening to Why Boys (Don’t) Dance: Creating Inclusive Dance Experiences for Boys.- Chapter 5. Dancing Boys and Men: Negotiating Masculinity and Sexuality.- Chapter 6. Parental Perspectives on Their Sons’ Motivations to Dance.- Chapter 7. Masculinities and Performativities in Native American Dance.- Chapter 8. Dancing Between Queer Failure and Participatory Pedagogy.- Chapter 9. Marketing Dance to Boys and Men: New, Complex and Dynamic Practices of Masculinities.- Chapter 10. Fear, Coping, and Peer Support in Male Dance Students’ Reflections.- Chapter 11. A Course on Movement Enhancement Skills for Men.- Chapter 12. Black Bodies Dancing Defiance: Deez Nuts!. Chapter 13. Pink Feathers in the Ballet Closet: Three Gay Remakes of Swan Lake. Chapter 14. Hypermasculinity Makes the Queer Boy Faint.- Chapter 15. Dancing a Love/Hate Relationship: A Case Study on Lingering Aspirations. Chapter 16. Afterword(s).