This book deals in different ways with the politics of death, with art and politics and with the politics of refuge and asylum. Cutting across these fields brings to the fore the fluid quality of social life under late capitalism. The elements of time, space and emotion are part of the overall approach adopted. The individual chapters illustrate themes of despair, striving and the politics of hope, and bring out the fluid and unpredictable qualities of social life. The guiding metaphor is fluidity, or what Urry refers to as “waves; continuous flow; pulsing; fluidity and viscosity” characteristic of life, death, refuge and art under the contemporary global system. Between the worlds of culture, political violence and art, the interconnected themes in this study illuminate conditions of ''liminality'', or in-betweenness. The study presents a politics of hope under late capitalism, and cuts through more usual boundaries between art and science, harm and help, death and the politics of barelife. Each chapter grapples with issues that help illustrate wider trends in Global Development and International Relations scholarship and teaching. Amidst growing cynicism about human or even humanitarian values, the volume appeals for a politics of hope and social justice, based on the fluid contours of borderless and amorphous processes of self-organising and radical anarchy.
