This book offers a unique interdisciplinary examination of how youth subcultures have been articulated and constructed in selected fiction from the post-war period to the twenty-first century. It provides a theoretical underpinning for the analysis of subcultures and scenes in literary fiction, identifying approaches set against key theories from subcultural studies, sociology, and criminology as well as paying close attention to issues of literary form, genre and narrative technique. As well as identifying an overlooked body of work in postwar and contemporary fiction, it shows how literary fiction can offer a distinctive contribution to our understanding of youth and marginalized cultures. It offers close analysis of a range of novels organized around key themes and contexts including teenagers, Teds and jazz scenes in the 1950s; Beat writing and the counterculture; punk fiction; dystopian and cyberpunk fiction as well as the examination of works that foreground class, race, gender and sexuality.

This book offers a unique interdisciplinary examination of how youth subcultures have been articulated and constructed in selected fiction from the post-war period to the twenty-first century. It provides a theoretical underpinning for the analysis of subcultures and scenes in literary fiction, identifying approaches set against key theories from subcultural studies, sociology, and criminology as well as paying close attention to issues of literary form, genre and narrative technique. As well as identifying an overlooked body of work in postwar and contemporary fiction, it shows how literary fiction can offer a distinctive contribution to our understanding of youth and marginalized cultures. It offers close analysis of a range of novels organized around key themes and contexts including teenagers, Teds and jazz scenes in the 1950s; Beat writing and the counterculture; punk fiction; dystopian and cyberpunk fiction as well as the examination of works that foreground class, race, gender and sexuality.

This book offers a unique interdisciplinary examination of how youth subcultures have been articulated and constructed in selected fiction from the post-war period to the twenty-first century. It provides a theoretical underpinning for the analysis of subcultures and scenes in literary fiction, identifying approaches set against key theories from subcultural studies, sociology, and criminology as well as paying close attention to issues of literary form, genre and narrative technique. As well as identifying an overlooked body of work in postwar and contemporary fiction, it shows how literary fiction can offer a distinctive contribution to our understanding of youth and marginalized cultures. It offers close analysis of a range of novels organized around key themes and contexts including teenagers, Teds and jazz scenes in the 1950s; Beat writing and the counterculture; punk fiction; dystopian and cyberpunk fiction as well as the examination of works that foreground class, race, gender and sexuality.