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    Performing Arts in Early Childhood Education

    Aesthetics and Meaning

    AvManon van de Water,Manon van de Water

    Inbunden, Engelska, 2026

    Del i serien International Perspectives on Early Childhood Education and Development

    1 776 kr

    Beställningsvara. Skickas inom 11-20 vardagar. Fri frakt över 249 kr.

    Beskrivning

    This collection explores the value and meaning of performing arts for young children (birth-6 years old) with a focus on how children aesthetically perceive and make meaning of art. The premise of the book is that children perceive through the senses; the original Greek meaning of the word “aesthetic.” The perception of art by very young children has not been sufficiently researched until the 21st century nor taken into account as something that may be of value for young children. This book redirects this notion by connecting the young child as a human being with performance perception theory and early childhood development theories. It demonstrates the value of performance for and with young children and highlights their capacity for meaning making. The chapters rely on theories of child and childhood, performance perception theory and audience and performance analyses from multiple perspectives and in multiple global contexts, demonstrating the impact of performing arts experiences in educating the whole child.

    Produktinformation

    • Utgivningsdatum:2026-07-27
    • Mått:155 x 235 x undefined mm
    • Format:Inbunden
    • Språk:Engelska
    • Serie:International Perspectives on Early Childhood Education and Development
    • Antal sidor:235
    • Förlag:Springer Nature Switzerland AG
    • ISBN:9783032255471

    Utforska kategorier

    • Konstböcker inom Kultur
    • Barnpsykologi och utvecklingspsykologi inom Psykologi och pedagogik
    • Utbildningsstrategier och utbildningspolitik inom Psykologi och pedagogik

    Mer om författaren

    Manon van de Water is the Vilas-Phipps Distinguished Achievement Professor Emerita at the University of Wisconsin-Madison, USA. She is the author of Moscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917-2000 (2006); Dutch Theatre for Children (2008/2009), and Theatre, Youth, and Culture: A Critical and Historical Exploration (2012), for which she received the American Alliance for Theatre and Education (AATE) Distinguished Book Award. She is past chair of ITYARN, the International Theatre for Young Audiences Research Network for which she edited TYA, Culture, Society: International Essays in Theatre for Young Audiences (2012), translated in Spanish and Farsi, and Diversity, Representation, and Culture in TYA (2020). Her co- written textbook Drama and Education: Performance Methodologies for Teaching and Learning, is based on her teaching of drama for the past 25 years and has been translated in Mandarin. Van de Water was the lead researcher on “Mapping” (2018-2023)—a multifaceted project supported by Creative Europe, the EU program that co-finances art projects. For this project she edited and contributed to 'Mapping Research: A Map on the Aesthetics of Performing Arts for Early Years.

    Innehållsförteckning

    • Introduction.- Part I. Collaborations with the Very Young.- Ch.1 Performing Arts and Early Years.- Ch. 2 Research, Play, and Performance: Adults and Very Young Children as Co-Devisers.- Ch. 3 The Role of Aesthetic Performance Experiences for the Young in Making Meaning of their World.- Ch. 4 Dramaturgy of the Audience: The Creation of Immersion and Participation in Theatre for Early Years.- Part II. Case Studies.- Ch. 5 Meaningful Relationships and Performing for Early Years in Canada.- Ch. 6 Performing Arts for Early Years: A Political and Latin American ActCh. 6 Sensory Splendor: Aesthetic Exploration in Taiwanese Theatre for the Very Young.- Ch. 7 The Growth of the Early Years Sector in Ireland.- Ch. 8 How Does Stillness Speak to Very Young Children?.- Ch. 9 Appealing to the Senses, Appealing to Humanity.- Ch. 10 Beyond the Shadows: The Aesthetic Potentials of Traditional Shadow Puppetry in Contemporary Practice with Aboriginal Artists and the (Very) Young.- Part III. Theory and Practice.- Ch. 11 Emotional Self Agency Through Theatrical Experience in Early Years.- Ch. 12 “Do Words Matter in Performance for Early Years?.- ch. 13 Towards Sensuous Ecologies: Neurodiversity and Complex Embodiment in Choreography for Young Audiences.- Ch. 14 The Relation Between Cognition and Emotion in Theatre for Early Years: How Meaning Is Made.