The Editors: Christian Emden studied at Konstanz and Cambridge (Ph.D. 2000), and is now Assistant Professor of German at Rice University, Houston. He was a Research Fellow at Sidney Sussex College, Cambridge, from 2000 to 2003. He is the author of Nietzsche on Language, Consciousness, and the Body (2005).David Midgley studied at Oxford (DPhil 1975). He was a Humboldt Scholar in 1979, and is now Reader in German Literature and Culture at the University of Cambridge and Fellow of St John’s College. He is the author of Writing Weimar (2000) and many other publications in the field of German literary modernism.

• Contents: Christian J. Emden/David Midgley: Introduction – Helen Watanabe-O’Kelly: Kunstkammer and Cedern=Wald: Knowledge, Memory and Text at the Dresden Court in the Sixteenth and Seventeenth Centuries – Jürgen Barkhoff: Perfecting Nature - Surpassing God: The Dream of Creating Artificial Humans around 1800 – Malcolm Humble: Monism and Literature in the Later Years of the Kaiserreich – Daniel Steuer: Ernst Mach and Robert Musil: Laws of Conservation and the Metaphysical Imagination – David Midgley: Technological Change and Cultural Assimilation: Some Observations on Poetic Responses to Early Aviation – Harro Segeberg: Industrial Culture, Writers and the Media: On the History of Literature and the Media in the Weimar Republic – Jeanne Riou: Joseph Roth’s ‘Bekenntnis zum Gleisdreieck’: Technology, Experience and the Feuilleton in the 1920s – Axel Goodbody: Nature and the Literary Imagination: The Project ‘Nature’ in Twentieth-Century German Writing – Ricarda Schmidt: Raphaels Schüler um 1800: Tradierung und Modernisierung eines frühromantischen Kunstdiskurses in E.T.A. Hoffmanns Die Jesuitenkirche in G. – Carolin Duttlinger: ‘Die Ruhe des Blickes’: Brod, Kafka, Benjamin and the Kaiserpanorama – Corinna Müller: Kultur des Fiktionalen: Bausteine zu einer intermedialen Fiktionstheorie, entwickelt am Beispiel der Filmgeschichte – Silke Horstkotte: Fantastic Gaps: Photography Inserted into Narrative in W.G. Sebald’s Austerlitz – Günther Stocker: Lesebilder und Mediengeschichte: Zur Selbstreflexion der Literatur im 18. und am Ende des 20. Jahrhunderts.

The Editors: Christian Emden studied at Konstanz and Cambridge (Ph.D. 2000), and is now Assistant Professor of German at Rice University, Houston. He was a Research Fellow at Sidney Sussex College, Cambridge, from 2000 to 2003. He is the author of Nietzsche on Language, Consciousness, and the Body (2005).David Midgley studied at Oxford (DPhil 1975). He was a Humboldt Scholar in 1979, and is now Reader in German Literature and Culture at the University of Cambridge and Fellow of St John’s College. He is the author of Writing Weimar (2000) and many other publications in the field of German literary modernism.

• Contents: Christian J. Emden/David Midgley: Introduction – Helen Watanabe-O’Kelly: Kunstkammer and Cedern=Wald: Knowledge, Memory and Text at the Dresden Court in the Sixteenth and Seventeenth Centuries – Jürgen Barkhoff: Perfecting Nature - Surpassing God: The Dream of Creating Artificial Humans around 1800 – Malcolm Humble: Monism and Literature in the Later Years of the Kaiserreich – Daniel Steuer: Ernst Mach and Robert Musil: Laws of Conservation and the Metaphysical Imagination – David Midgley: Technological Change and Cultural Assimilation: Some Observations on Poetic Responses to Early Aviation – Harro Segeberg: Industrial Culture, Writers and the Media: On the History of Literature and the Media in the Weimar Republic – Jeanne Riou: Joseph Roth’s ‘Bekenntnis zum Gleisdreieck’: Technology, Experience and the Feuilleton in the 1920s – Axel Goodbody: Nature and the Literary Imagination: The Project ‘Nature’ in Twentieth-Century German Writing – Ricarda Schmidt: Raphaels Schüler um 1800: Tradierung und Modernisierung eines frühromantischen Kunstdiskurses in E.T.A. Hoffmanns Die Jesuitenkirche in G. – Carolin Duttlinger: ‘Die Ruhe des Blickes’: Brod, Kafka, Benjamin and the Kaiserpanorama – Corinna Müller: Kultur des Fiktionalen: Bausteine zu einer intermedialen Fiktionstheorie, entwickelt am Beispiel der Filmgeschichte – Silke Horstkotte: Fantastic Gaps: Photography Inserted into Narrative in W.G. Sebald’s Austerlitz – Günther Stocker: Lesebilder und Mediengeschichte: Zur Selbstreflexion der Literatur im 18. und am Ende des 20. Jahrhunderts.

The Editors: Christian Emden studied at Konstanz and Cambridge (Ph.D. 2000), and is now Assistant Professor of German at Rice University, Houston. He was a Research Fellow at Sidney Sussex College, Cambridge, from 2000 to 2003. He is the author of Nietzsche on Language, Consciousness, and the Body (2005).David Midgley studied at Oxford (DPhil 1975). He was a Humboldt Scholar in 1979, and is now Reader in German Literature and Culture at the University of Cambridge and Fellow of St John’s College. He is the author of Writing Weimar (2000) and many other publications in the field of German literary modernism.

• Contents: Christian J. Emden/David Midgley: Introduction – Helen Watanabe-O’Kelly: Kunstkammer and Cedern=Wald: Knowledge, Memory and Text at the Dresden Court in the Sixteenth and Seventeenth Centuries – Jürgen Barkhoff: Perfecting Nature - Surpassing God: The Dream of Creating Artificial Humans around 1800 – Malcolm Humble: Monism and Literature in the Later Years of the Kaiserreich – Daniel Steuer: Ernst Mach and Robert Musil: Laws of Conservation and the Metaphysical Imagination – David Midgley: Technological Change and Cultural Assimilation: Some Observations on Poetic Responses to Early Aviation – Harro Segeberg: Industrial Culture, Writers and the Media: On the History of Literature and the Media in the Weimar Republic – Jeanne Riou: Joseph Roth’s ‘Bekenntnis zum Gleisdreieck’: Technology, Experience and the Feuilleton in the 1920s – Axel Goodbody: Nature and the Literary Imagination: The Project ‘Nature’ in Twentieth-Century German Writing – Ricarda Schmidt: Raphaels Schüler um 1800: Tradierung und Modernisierung eines frühromantischen Kunstdiskurses in E.T.A. Hoffmanns Die Jesuitenkirche in G. – Carolin Duttlinger: ‘Die Ruhe des Blickes’: Brod, Kafka, Benjamin and the Kaiserpanorama – Corinna Müller: Kultur des Fiktionalen: Bausteine zu einer intermedialen Fiktionstheorie, entwickelt am Beispiel der Filmgeschichte – Silke Horstkotte: Fantastic Gaps: Photography Inserted into Narrative in W.G. Sebald’s Austerlitz – Günther Stocker: Lesebilder und Mediengeschichte: Zur Selbstreflexion der Literatur im 18. und am Ende des 20. Jahrhunderts.