New Media in Art History

Régine Bonnefoit, doctorate in art history (University of Heidelberg, 1995) and habilitation (University of Passau, 2006); research assistant at the Département des Arts graphiques des Musée du Louvre (1992–1994); research grant at the Institute of Art History in Florence (1995–1998). Trainee at Berlin Museums (2000–2001). University assistant at the Institute of Art History at the University of Lausanne (2001–2006). After a professorship at the Swiss National Science Foundation, she was appointed full professor of contemporary art history and museology at the University of Neuchâtel. Curator and co-curator of numerous exhibitions. Melissa Rérat, Dr, is currently a postdoc researcher. She has been awarded a Postdoc.Mobility fellowship from the Swiss National Science Foundation (SNSF) to continue her research at the University of Applied Arts Vienna from 2023 to 2025. Previously she was a scientific collaborator at the Swiss Institute for Art Research (SIK-ISEA) and taught the history of new media at the University of Neuchâtel. Her doctoral thesis in art history and sociology (2020, published in 2022) studied the social construction of video art through discourse in the 1970s. Her research fields include the history of video art, the interaction between contemporary art and art history, the role of archives in the construction of knowledge, and gender questions in contemporary art. Samuel Schellenberg, Master in art history, history, and English at the University of Lausanne (1998). Certificate in journalism from the Centre romand de formation des journalistes (2002). Since 2008 he has been in charge of the cultural section of the independent daily newspaper Le Courrier, based in Geneva, where he writes mainly about art. 2019 winner of the Prix Meret Oppenheim, the Swiss Grand Award for Art created in 2001 by the Federal Office of Culture and the Federal Art Commission.