(Re)made in China

Anna Grasskamp, Professorin für Kunstgeschichte und Bildwissenschaft an der Universität Oslo. Zu ihren Veröffentlichungen zählen u.a. Objects in Frames: Displaying Foreign Collectibles in Early Modern China and Europe (2 9 zweite Auflage 2 22) und Art and Ocean Objects of Early Modern Eurasia: Shells, Bodies, and Materiality (2 2 ). 2 24 kuratierte sie die Ausstellung The Art of Upcycling: Contemporary Jewelry from Hong Kong im GRASSI Museum für Angewandte Kunst in Leipzig. Derzeit leitet sie das fünfjähriges Forschungsprojekt An Ecological History of Eurasian Art: Natural Resources, Aesthetic Practices, and Early Modern Globalization, das durch einen Consolidator Grant des Europäischen Forschungsrats (ERC) gefördert wird. Anna Grasskamp, Professor of Art History and Visual Studies at the University of Oslo. Her publications include among others Objects in Frames: Displaying Foreign Collectibles in Early Modern China and Europe (2 9 second edition 2 22), and Art and Ocean Objects of Early Modern Eurasia: Shells, Bodies, and Materiality (2 2 ). In 2 24, she curated the exhibition The Art of Upcycling: Contemporary Jewelry from Hong Kong at the GRASSI Museum of Applied Arts in Leipzig. She is currently leading a five-year research project, An Ecological History of Eurasian Art: Natural Resources, Aesthetic Practices, and Early Modern Globalization, funded by a European Research Council Consolidator Grant.