Glyne A. Griffith is Associate Professor and Chair of the Department of English at the University at Albany, SUNY, USA. He is a scholar and teacher of Anglophone Caribbean literature and literary criticism. He is the author of Deconstruction, Imperialism and the West Indian Novel; co-editor, with Linden Lewis, of Color, Hair and Bone: Race in the Twenty-First Century; and Associate Editor of the Journal of West Indian Literature (JWIL).

• Introduction.- The Genesis of Caribbean Voices: People and Policies.- The Critics’ Circle.- Caribbean Voices and Competing Visions of Post-Colonial Community.- A Sustaining Epistolarly Community.- The Naipaul / Mittelholzer Years: 1954-58.- Afterword.

Glyne A. Griffith is Associate Professor and Chair of the Department of English at the University at Albany, SUNY, USA. He is a scholar and teacher of Anglophone Caribbean literature and literary criticism. He is the author of Deconstruction, Imperialism and the West Indian Novel; co-editor, with Linden Lewis, of Color, Hair and Bone: Race in the Twenty-First Century; and Associate Editor of the Journal of West Indian Literature (JWIL).

• Introduction.- The Genesis of Caribbean Voices: People and Policies.- The Critics’ Circle.- Caribbean Voices and Competing Visions of Post-Colonial Community.- A Sustaining Epistolarly Community.- The Naipaul / Mittelholzer Years: 1954-58.- Afterword.

Glyne A. Griffith is Associate Professor and Chair of the Department of English at the University at Albany, SUNY, USA. He is a scholar and teacher of Anglophone Caribbean literature and literary criticism. He is the author of Deconstruction, Imperialism and the West Indian Novel; co-editor, with Linden Lewis, of Color, Hair and Bone: Race in the Twenty-First Century; and Associate Editor of the Journal of West Indian Literature (JWIL).

• Introduction.- The Genesis of Caribbean Voices: People and Policies.- The Critics’ Circle.- Caribbean Voices and Competing Visions of Post-Colonial Community.- A Sustaining Epistolarly Community.- The Naipaul / Mittelholzer Years: 1954-58.- Afterword.