Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe.

• 1.Introduction: Counter-narratives of History.- 2. A Caribbean Poetics: Fragmentation and Call-and-Response.- 3. Polyphonic Counter-archives Christopher Cozier’s Tropical Night and M. NourbeSe Philip’s Zong!.- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao.- 5. Counter-narratives in Black British and Caribbean art in Britain.- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro.- 7. CODA.

Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe.

• 1.Introduction: Counter-narratives of History.- 2. A Caribbean Poetics: Fragmentation and Call-and-Response.- 3. Polyphonic Counter-archives Christopher Cozier’s Tropical Night and M. NourbeSe Philip’s Zong!.- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao.- 5. Counter-narratives in Black British and Caribbean art in Britain.- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro.- 7. CODA.

Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe.

• 1.Introduction: Counter-narratives of History.- 2. A Caribbean Poetics: Fragmentation and Call-and-Response.- 3. Polyphonic Counter-archives Christopher Cozier’s Tropical Night and M. NourbeSe Philip’s Zong!.- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao.- 5. Counter-narratives in Black British and Caribbean art in Britain.- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro.- 7. CODA.