Adaptation in Visual Culture

R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University, USA. Julie Grossman is Professor of English and Communication and Film Studies at Le Moyne College in Syracuse, NY, USA

“This comprehensive study of Highsmith adaptations covers work from the entirety of the author’s career and includes interviews with film directors (among them Wim Wenders) as well as investigating Highsmith adaptations in relation to dualisms, queer cinema, and noir. … The Palgrave Studies in Adaptation and Visual Culture series already contains many examples of this maxim and provides the opportunity for many more to come.” (Peter Lewis, Adaptation, Vol. 13 (1), 2019)

• 1. Constantine Verevis, “Film Novelization”.- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?".- 3. Glenn Jellenik, “The Task of the Adaptation Critic”.- 4. Thomas Leitch, “Mind the Gaps”.- 5. R. Barton Palmer, “Continuation, Adaptation Studies, and the Never-Finished Text”.- 6. Kamilla Elliott “Unfilmable Books.”.- 7. Sarah Cardwell, “A Dickensian Feast: Visual Culture and Television Aesthetics”.- 8. Deborah Cartmell, “Star Adaptations: Queen Biopics of the 1930s”.- 9. Jack Boozer, “Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps”.- 10. Christine Geraghty, “Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)”.- 11. Julie Grossman, “Fargos”.- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" .- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')".- 14. Nancy West, “The Worlds of Downton Abbey”.