Liv Hausken, Dr.art., is Professor at the Department of Media and Communication at the University of Oslo and head of the research area Media Aesthetics. She has published numerous articles on textual theory, narrative theory, feminism, film, television, photography, and medical imaging.

• Contents: Samuel Weber: From Reflection to Repetition: Medium, Reflexivity and the Economy of the Self – Ina Blom: Mediating Sociality: A Contested Question of Contemporary Art – Mary Ann Doane: Has Time Become Space? – Eivind Røssaak: The Moving Image in the Museum: Real-Time, Technology and the Spectator’s Cut – Susanne Østby Sæther: «Are you talking to me?» Spectatorship in Post-Cinema Art – Liv Hausken: Doing Media Aesthetics: The Case of Alice Miceli’s 88 from 14.000 – Arild Fetveit: Medium-Specific Noise – Dieter Daniels/Sandra Naumann: Shifting Aesthetics of Image-Sound Relations in the Interaction between Art, Technology, and Perception – D. N. Rodowick: A Compass in a Moving World (on genres and genealogies of film theory).

Liv Hausken, Dr.art., is Professor at the Department of Media and Communication at the University of Oslo and head of the research area Media Aesthetics. She has published numerous articles on textual theory, narrative theory, feminism, film, television, photography, and medical imaging.

• Contents: Samuel Weber: From Reflection to Repetition: Medium, Reflexivity and the Economy of the Self – Ina Blom: Mediating Sociality: A Contested Question of Contemporary Art – Mary Ann Doane: Has Time Become Space? – Eivind Røssaak: The Moving Image in the Museum: Real-Time, Technology and the Spectator’s Cut – Susanne Østby Sæther: «Are you talking to me?» Spectatorship in Post-Cinema Art – Liv Hausken: Doing Media Aesthetics: The Case of Alice Miceli’s 88 from 14.000 – Arild Fetveit: Medium-Specific Noise – Dieter Daniels/Sandra Naumann: Shifting Aesthetics of Image-Sound Relations in the Interaction between Art, Technology, and Perception – D. N. Rodowick: A Compass in a Moving World (on genres and genealogies of film theory).

Liv Hausken, Dr.art., is Professor at the Department of Media and Communication at the University of Oslo and head of the research area Media Aesthetics. She has published numerous articles on textual theory, narrative theory, feminism, film, television, photography, and medical imaging.

• Contents: Samuel Weber: From Reflection to Repetition: Medium, Reflexivity and the Economy of the Self – Ina Blom: Mediating Sociality: A Contested Question of Contemporary Art – Mary Ann Doane: Has Time Become Space? – Eivind Røssaak: The Moving Image in the Museum: Real-Time, Technology and the Spectator’s Cut – Susanne Østby Sæther: «Are you talking to me?» Spectatorship in Post-Cinema Art – Liv Hausken: Doing Media Aesthetics: The Case of Alice Miceli’s 88 from 14.000 – Arild Fetveit: Medium-Specific Noise – Dieter Daniels/Sandra Naumann: Shifting Aesthetics of Image-Sound Relations in the Interaction between Art, Technology, and Perception – D. N. Rodowick: A Compass in a Moving World (on genres and genealogies of film theory).