Christof Decker (Prof. Dr.) lehrt Amerikanistik an der Ludwig-Maximilians-Universität München. Seine Forschungsschwerpunkte sind die Film- und Medienwissenschaft, Literaturwissenschaft und Kulturtheorie.

• Introduction; Trauma Narratives, Mixed Media, and the Meditation on the Invisible; Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center; In Search of a Common Vision: Ben Shahn, Photography, and The Family of Man Exhibition in 1955; Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s; Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions; Screening Holocaust: American Television and the Discourse on 'Victim Cultures' in West Germany; Index.

Christof Decker (Prof. Dr.) lehrt Amerikanistik an der Ludwig-Maximilians-Universität München. Seine Forschungsschwerpunkte sind die Film- und Medienwissenschaft, Literaturwissenschaft und Kulturtheorie.

• Introduction; Trauma Narratives, Mixed Media, and the Meditation on the Invisible; Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center; In Search of a Common Vision: Ben Shahn, Photography, and The Family of Man Exhibition in 1955; Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s; Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions; Screening Holocaust: American Television and the Discourse on 'Victim Cultures' in West Germany; Index.

Christof Decker (Prof. Dr.) lehrt Amerikanistik an der Ludwig-Maximilians-Universität München. Seine Forschungsschwerpunkte sind die Film- und Medienwissenschaft, Literaturwissenschaft und Kulturtheorie.

• Introduction; Trauma Narratives, Mixed Media, and the Meditation on the Invisible; Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center; In Search of a Common Vision: Ben Shahn, Photography, and The Family of Man Exhibition in 1955; Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s; Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions; Screening Holocaust: American Television and the Discourse on 'Victim Cultures' in West Germany; Index.