Magda Lipska is a curator and art theoretician who works at the Museum of Modern Art in Warsaw. Monika Talarczyk is a film scholar and associate professor at the Łódź Film School in Poland. She is the author of three publications dedicated to women film directors and numerous review articles and essays on cinema. In 2014 she received the Polish Film Institute Award.

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• Introduction: From International Solidarity to a New Color Curtain—Magda Lipska, Monika Talarczyk I.Students from the Global South at the Lódz Film School, 1948–89:BiographiesExtant List, Enrolled StudentsSelected Film Stills II. Effective Solidarity with the Postcolonial World: Cold-War Educational Assistance from the Socialist Countries—Constantin KatsakiorisStudents of Color and State Socialism: Can Double Exoticism Be Endured in Public Space?— Matthieu GillabertThe Jew, the Arab, the Pole: March 1968 in Poland and the History of an Alliance Between the Second and Third Worlds—Monika BobakoUnwanted Legacy, as Told by Its Witnesses: Arab Students in People’s Poland—Beata Kowalska, Inga HajdarowiczCold War Internationalism: The Myth of Race-Blind Eastern Europe—Bolaji Balogun Representing Africans in The Polish Review: A Projection of the PRL as Racism-Free—Bartosz NowickiIII. The Training of Third-World Filmmakers in Eastern Bloc Schools before 1991—Gabrielle ChomentowskiWE WANT THE SUN! Short Films by Lódz Students from the Global South, Compared with Models from Polish Art Cinema—Monika TalarczykThe Familiar, the Strange: Works by Students from the Global South in the Context of the Polish School of Documentary Film— Katarzyna Maka-MalatynskaPodróz to Poland: In Search of a Potential Moroccan Cinema—Marie Pierre-Bouthier Voices and Faces from the Third World—Olivier HadouchiSao Gamba’s Creative Legacy in Kenya—Rachael Diang’a IV. “The Documentary Film in Eastern Africa: Sao Gamba’s Secret Legacy” (2009)—Jakub Barua“The Cinema and I (A Black Filmmaker)” (July 1986)—John Alex Maina KaranjaLesson 41: Going to Poland to Become a Moroccan Filmmaker—Léa MorinFilmography: Student ShortsIndex

Magda Lipska is a curator and art theoretician who works at the Museum of Modern Art in Warsaw. Monika Talarczyk is a film scholar and associate professor at the Łódź Film School in Poland. She is the author of three publications dedicated to women film directors and numerous review articles and essays on cinema. In 2014 she received the Polish Film Institute Award.

Select Guide Rating

• Introduction: From International Solidarity to a New Color Curtain—Magda Lipska, Monika Talarczyk I.Students from the Global South at the Lódz Film School, 1948–89:BiographiesExtant List, Enrolled StudentsSelected Film Stills II. Effective Solidarity with the Postcolonial World: Cold-War Educational Assistance from the Socialist Countries—Constantin KatsakiorisStudents of Color and State Socialism: Can Double Exoticism Be Endured in Public Space?— Matthieu GillabertThe Jew, the Arab, the Pole: March 1968 in Poland and the History of an Alliance Between the Second and Third Worlds—Monika BobakoUnwanted Legacy, as Told by Its Witnesses: Arab Students in People’s Poland—Beata Kowalska, Inga HajdarowiczCold War Internationalism: The Myth of Race-Blind Eastern Europe—Bolaji Balogun Representing Africans in The Polish Review: A Projection of the PRL as Racism-Free—Bartosz NowickiIII. The Training of Third-World Filmmakers in Eastern Bloc Schools before 1991—Gabrielle ChomentowskiWE WANT THE SUN! Short Films by Lódz Students from the Global South, Compared with Models from Polish Art Cinema—Monika TalarczykThe Familiar, the Strange: Works by Students from the Global South in the Context of the Polish School of Documentary Film— Katarzyna Maka-MalatynskaPodróz to Poland: In Search of a Potential Moroccan Cinema—Marie Pierre-Bouthier Voices and Faces from the Third World—Olivier HadouchiSao Gamba’s Creative Legacy in Kenya—Rachael Diang’a IV. “The Documentary Film in Eastern Africa: Sao Gamba’s Secret Legacy” (2009)—Jakub Barua“The Cinema and I (A Black Filmmaker)” (July 1986)—John Alex Maina KaranjaLesson 41: Going to Poland to Become a Moroccan Filmmaker—Léa MorinFilmography: Student ShortsIndex

Magda Lipska is a curator and art theoretician who works at the Museum of Modern Art in Warsaw. Monika Talarczyk is a film scholar and associate professor at the Łódź Film School in Poland. She is the author of three publications dedicated to women film directors and numerous review articles and essays on cinema. In 2014 she received the Polish Film Institute Award.

Select Guide Rating

• Introduction: From International Solidarity to a New Color Curtain—Magda Lipska, Monika Talarczyk I.Students from the Global South at the Lódz Film School, 1948–89:BiographiesExtant List, Enrolled StudentsSelected Film Stills II. Effective Solidarity with the Postcolonial World: Cold-War Educational Assistance from the Socialist Countries—Constantin KatsakiorisStudents of Color and State Socialism: Can Double Exoticism Be Endured in Public Space?— Matthieu GillabertThe Jew, the Arab, the Pole: March 1968 in Poland and the History of an Alliance Between the Second and Third Worlds—Monika BobakoUnwanted Legacy, as Told by Its Witnesses: Arab Students in People’s Poland—Beata Kowalska, Inga HajdarowiczCold War Internationalism: The Myth of Race-Blind Eastern Europe—Bolaji Balogun Representing Africans in The Polish Review: A Projection of the PRL as Racism-Free—Bartosz NowickiIII. The Training of Third-World Filmmakers in Eastern Bloc Schools before 1991—Gabrielle ChomentowskiWE WANT THE SUN! Short Films by Lódz Students from the Global South, Compared with Models from Polish Art Cinema—Monika TalarczykThe Familiar, the Strange: Works by Students from the Global South in the Context of the Polish School of Documentary Film— Katarzyna Maka-MalatynskaPodróz to Poland: In Search of a Potential Moroccan Cinema—Marie Pierre-Bouthier Voices and Faces from the Third World—Olivier HadouchiSao Gamba’s Creative Legacy in Kenya—Rachael Diang’a IV. “The Documentary Film in Eastern Africa: Sao Gamba’s Secret Legacy” (2009)—Jakub Barua“The Cinema and I (A Black Filmmaker)” (July 1986)—John Alex Maina KaranjaLesson 41: Going to Poland to Become a Moroccan Filmmaker—Léa MorinFilmography: Student ShortsIndex