Andrea Baldini, Ph.D. (2014), Temple University, is Associate Professor of Aesthetics and Art Theory at Nanjing University. His articles on street art have appeared in leading journals including the Journal of Visual Culture and The Journal of Aesthetics and Art Criticism.

• Acknowledgments IXList of Illustrations XA Philosophy Guide to Street Art and the LawAndrea BaldiniAbstractKeywordsIntroduction: I Fought the Law, and the Law SwannedPart 1. Walls, Laws, and Vandals: Is Street Art Essentially Illegal?Part 2. (Not) Above the Law: Art or Vandalism?Part 3. Creativity, Profit, and Commercial Exploitation: Should Property Rights Extend to Street Art?Conclusion: an Outlaw ArtReferences

Andrea Baldini, Ph.D. (2014), Temple University, is Associate Professor of Aesthetics and Art Theory at Nanjing University. His articles on street art have appeared in leading journals including the Journal of Visual Culture and The Journal of Aesthetics and Art Criticism.

• Acknowledgments IXList of Illustrations XA Philosophy Guide to Street Art and the LawAndrea BaldiniAbstractKeywordsIntroduction: I Fought the Law, and the Law SwannedPart 1. Walls, Laws, and Vandals: Is Street Art Essentially Illegal?Part 2. (Not) Above the Law: Art or Vandalism?Part 3. Creativity, Profit, and Commercial Exploitation: Should Property Rights Extend to Street Art?Conclusion: an Outlaw ArtReferences

Andrea Baldini, Ph.D. (2014), Temple University, is Associate Professor of Aesthetics and Art Theory at Nanjing University. His articles on street art have appeared in leading journals including the Journal of Visual Culture and The Journal of Aesthetics and Art Criticism.

• Acknowledgments IXList of Illustrations XA Philosophy Guide to Street Art and the LawAndrea BaldiniAbstractKeywordsIntroduction: I Fought the Law, and the Law SwannedPart 1. Walls, Laws, and Vandals: Is Street Art Essentially Illegal?Part 2. (Not) Above the Law: Art or Vandalism?Part 3. Creativity, Profit, and Commercial Exploitation: Should Property Rights Extend to Street Art?Conclusion: an Outlaw ArtReferences