Paula Nuttall, Ph.D. (1990), Courtauld Institute of Art is Course Director at the V&A Academy, London. She is an art historian specialising in artistic relations between the Netherlands and Italy in the Renaissance, on which she has published widely.Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the RenaissanceMichael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.

• ContentsDirector’s RemarksAcknowledgementsList of IllustrationsNotes on ContributorsIntroductionPaula Nuttall1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)Jonathan K. Nelson2 Filippino in Botticelli’s WorkshopMichelle O’Malley3 Visible Rays in Filippino’s London Adoration of the MagiPaul Hills4 Filippino Lippi’s Lucchese PatronsGeoffrey Nuttall5 The Virgin at the Well in Filippino’s San Gimignano AnnunciationJoost Joustra6 ‘... di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritrattiPatrizia Zambrano7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish PaintingPaula Nuttall8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa ChapelJohannes Grave9 The Temporary and the Temporal: Suspense in the Strozzi ChapelAlison Wright10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnicaAlessandra Popple and Cristiana Conti11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel DecorationCharles Robertson12 Reconsidering Lucchese Painting after FilippinoChristopher Daly13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French CollectionsMatteo Gianeselli14 Sfortuna di Raffaellino del GarboAlessandro CecchiAppendix: A Note on the Identification of the Saints in the Background of the London Adoration of the MagiJill Dunkerton and Rachel BillingeList of Photographic CreditsIndex

Paula Nuttall, Ph.D. (1990), Courtauld Institute of Art is Course Director at the V&A Academy, London. She is an art historian specialising in artistic relations between the Netherlands and Italy in the Renaissance, on which she has published widely.Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the RenaissanceMichael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.

• ContentsDirector’s RemarksAcknowledgementsList of IllustrationsNotes on ContributorsIntroductionPaula Nuttall1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)Jonathan K. Nelson2 Filippino in Botticelli’s WorkshopMichelle O’Malley3 Visible Rays in Filippino’s London Adoration of the MagiPaul Hills4 Filippino Lippi’s Lucchese PatronsGeoffrey Nuttall5 The Virgin at the Well in Filippino’s San Gimignano AnnunciationJoost Joustra6 ‘... di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritrattiPatrizia Zambrano7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish PaintingPaula Nuttall8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa ChapelJohannes Grave9 The Temporary and the Temporal: Suspense in the Strozzi ChapelAlison Wright10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnicaAlessandra Popple and Cristiana Conti11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel DecorationCharles Robertson12 Reconsidering Lucchese Painting after FilippinoChristopher Daly13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French CollectionsMatteo Gianeselli14 Sfortuna di Raffaellino del GarboAlessandro CecchiAppendix: A Note on the Identification of the Saints in the Background of the London Adoration of the MagiJill Dunkerton and Rachel BillingeList of Photographic CreditsIndex