Copyright is of considerable importance in today''s global information society, and the rapid pace of technological developments has posed a significant challenge for copyright policymakers and legislators. The problems international, regional and national bodies are currently grappling with include:

• • identifying and defining the range of rights to cover all the important economic methods of exploiting copyright works;
• • enforcing these rights at a time when all such works have become capable of being digitised, transmitted instantaneously and, with or without authority, reproduced flawlessly and at minimal cost.

Copyright in a Global Information Society examines the scope of authors'' rights in relation to the exploitation of their works by broadcasting, whether terrestrial or by satellite, cabling or over computer networks, in three important jurisdictions and under relevant international conventions. The analysis traces the gradual expansion of the various exclusive rights granted by copyright law in response to technological developments and puts them in their modern context, focusing on the overarching right of public performance or communication. The author argues that the advent of modern technologies, which recognise no national boundaries, necessitates the adoption of an internationally harmonised concept of ''communication to the public'' as the primary right applicable to the dissemination of copyright works in non-material form.

This work is a valuable contribution to the study and understanding of copyright law and will be of great interest to academic and practising lawyers, and to those involved in shaping modern copyright policy.

Copyright is of considerable importance in today''s global information society, and the rapid pace of technological developments has posed a significant challenge for copyright policymakers and legislators. The problems international, regional and national bodies are currently grappling with include:

• • identifying and defining the range of rights to cover all the important economic methods of exploiting copyright works;
• • enforcing these rights at a time when all such works have become capable of being digitised, transmitted instantaneously and, with or without authority, reproduced flawlessly and at minimal cost.

Copyright in a Global Information Society examines the scope of authors'' rights in relation to the exploitation of their works by broadcasting, whether terrestrial or by satellite, cabling or over computer networks, in three important jurisdictions and under relevant international conventions. The analysis traces the gradual expansion of the various exclusive rights granted by copyright law in response to technological developments and puts them in their modern context, focusing on the overarching right of public performance or communication. The author argues that the advent of modern technologies, which recognise no national boundaries, necessitates the adoption of an internationally harmonised concept of ''communication to the public'' as the primary right applicable to the dissemination of copyright works in non-material form.

This work is a valuable contribution to the study and understanding of copyright law and will be of great interest to academic and practising lawyers, and to those involved in shaping modern copyright policy.