Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era

AvGina Marchetti

Inbunden, Engelska, 2024

Del i serien Critical Asian Cinemas

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Beskrivning

Focusing on films from the People’s Republic of China, Hong Kong, Taiwan, and the Chinese diaspora, this book considers how female directors shape Chinese visual politics through the depiction of the look, the stare, the leer, the glare, the glimpse, the glance, the queer and the oppositional gaze in fiction and documentary filmmaking.

Produktinformation

Utgivningsdatum:2024-01-01
Mått:156 x 234 x 26 mm
Vikt:823 g
Format:Inbunden
Språk:Engelska
Serie:Critical Asian Cinemas
Antal sidor:400
Förlag:Amsterdam University Press
ISBN:9789463728355

Utforska kategorier

Medievetenskap inom Samhälle och politik
Genusvetenskap inom Samhälle och politik
Film inom Kultur

Mer om författaren

Gina Marchetti serves as Chair of Humanities and Media Studies, Pratt Institute. Her books include Romance and the “Yellow Peril”: Race, Sex and Discursive Strategies in Hollywood Fiction (California, 1993) and Citing China: Politics, Postmodernism, and World Cinema (Hawai’i, 2018).

Innehållsförteckning

Acknowledgements, Note on Romanization, 1. Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema, 2. The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013), 3. The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017), 4. A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018), 5. The Queer Gaze Across the Gay-Straight Generational Divide: Small Talk (2017) and A Dog Barking at the Moon (2019), 6. The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020), 7. Oppositional Optics: The View from Hong Kong, 8. From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013), 9. Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019), 10. Conclusion: The View from the Chinese Diaspora in The Farewell (2019), Filmography, Bibliography, Index.